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Patti LaBelle, Nona Hendryx and Sarah Dash, collectively known as "Labelle," have reunited with wonderful results. The BACK TO NOW CD is a testament to the enormous talent that was exhibited by these three ladies who brought us the 70s hit "Lady Marmalade." And they sound just as good today, as they did back then.
Back to Now is the seventh and latest studio album by American female vocal group Labelle, released on October 21, 2008. The album is the group's first in over thirty years though they had sung on songs together on occasion. Labelle member Nona Hendryx explained the album's title to noted R&B writer Pete Lewis of Blues & Soul: "It basically stemmed from two of the songs on this album being ...
23. Aug. 2012 · Patti LaBelle, Nona Hendryx and Sarah Dash, collectively known as "Labelle," have reunited with wonderful results. The BACK TO NOW CD is a testament to the enormous talent that was exhibited by these three ladies who brought us the 70s hit "Lady Marmalade." And they sound just as good today, as they did back then. It's as if time has stood still!
- (73)
This is a comeback album with its dignity completely intact. 33 years on since they split in 1976, Back To Now sounds infinitely better than had they recorded some over-produced disco confection ...
Lady Marmalade, in Europa ursprünglich als Voulez-vous coucher avec moi ce soir? veröffentlicht, ist ein Disco-Funk-Song von Kenny Nolan und Bob Crewe.Das Lied wurde von der Girlgroup Labelle, bestehend aus den Sängerinnen Patti LaBelle, Nona Hendryx und Sarah Dash in New Orleans aufgenommen; die Produzenten waren Allen Toussaint und Vicki Wickham.
Patti LaBelle/Diskografie. Diese Diskografie ist eine Übersicht über die musikalischen Werke der US-amerikanischen R&B - und Soul sängerin Patti LaBelle und ihrer Gruppe LaBelle. Den Schallplattenauszeichnungen zufolge hat sie bisher mehr als 5,9 Millionen Tonträger verkauft, davon alleine in ihrer Heimat über 5,5 Millionen.
6. Feb. 2009 · Vergleicht man Back To Now jedoch mit den von Allen Toussaint produzierten Labelle-Erfolgsalben aus den Siebzigern, so muss man konstatieren, dass hier eine Kulturtechnik verlorengegangen zu sein scheint: Das Level von Funk, musikalischer Lebendigkeit und lässiger Soulfulness, das damals zum Beispiel in den Sea-Saint Studios die Norm war, scheint dem Zugriff ein für alle Mal entschwunden.
