Suchergebnisse
Suchergebnisse:
Robert Wyatt – harmony vocal (track 8) David Bedford – orchestral arrangement (track 9) Howie Casey – tenor saxophone; Dave Caswell – trumpet; Tristan Fry – cymbal; Lyle Jenkins – baritone saxophone; Ronnie Price – piano; Barry St. John, Liza Strike, Doris Troy – backing vocals; Technical. Kevin Ayers – producer ...
- 35:48
- May 1973
- September–October 1972
- Kevin Ayers, Andrew King
Robert Wyatt / Harmony Vocal on track 8 David Bedford / Orchestral Arrangement on track 9 Howie Casey / Tenor Saxophone Dave Caswell / Trumpet Tristan Fry / Cymbal Lyle Jenkins / Baritone Saxophone Ronnie Price / Piano Barry St. John /Vocals Liza Strike / Vocals Doris Troy /Vocals. Additional information sourced from Wikipedia.
1. Mai 2018 · Gong guitarist Steve Hillage and former bandmates Mike Ratledge and Robert Wyatt can all be heard here, while a couple of Ayers' other musical friends helped inspire songs: Syd Barrett (single “Oh! Wot A Dream”) and Nico (the ethereal epic “Decadence”). BANANAMOUR turns 45 this month, and ranks among the British eccentric's ...
24. Feb. 2013 · With bassist Archie Leggett and drummer Eddie Sparrow at the hub, Ayers selected guest artists for a handful of the tracks: Whole World colleague Dave Bedford ("Beware of the Dog"), Gong's new guitarist Steve Hillage ("Shouting in a Bucket Blues"), and former Soft Machine mates Robert Wyatt ("Hymn") and Mike Ratledge ("Interview ...
- MIDNIGHT RAMBLER
But it's interesting to realise that the OTHER great Kevin active in the 1970s (Mr Coyne) also wrote a marvellous song about someone called Marlene, AND collaborated with Robert Wyatt (on Michael Mantler's SILENCE). Robert Wyatt himself duets with his former bandmate on "Hymn", BANANAMOUR's second highlight. You don't often come across songs as ...
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Released. 2003 — Europe. CD —. Album. View credits, reviews, tracks and shop for the 2003 CD release of "Bananamour" on Discogs.
Von seinen bis dato erschienen Scheiben war "Bananamour" die schwächste, recht kommerziell ausgerichtet, oft mit Backgroundsängerinnen und aufgebutterter Bläserabteilung und stellenweise ziemlich blueslastig. Trotzdem haben Ayers Kompositionen immer einen sehr eigenen Charakter, bleiben gut im Ohr hängen und in dieser Sammlung von eher harmlosen, locker-flockig dahinhüpfenden Liedern und ...
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