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  1. Barbara Stanwyck (* 16. Juli 1907 in Brooklyn, New York City, New York; † 20. Januar 1990 in Santa Monica, Kalifornien; eigentlich Ruby Catherine Stevens) war eine US-amerikanische Schauspielerin.

  2. Barbara Stanwyck (/ ˈstænwɪk /; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility.

  3. Actress: Double Indemnity. Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985).

    • January 1, 1
    • Brooklyn, New York City, New York, USA
    • January 1, 1
    • Santa Monica, California, USA
    • Barbara Stanwyck1
    • Barbara Stanwyck2
    • Barbara Stanwyck3
    • Barbara Stanwyck4
  4. 20. Aug. 2024 · Barbara Stanwyck, American motion-picture and television actress who played a wide variety of roles in more than 80 films but was best in dramatic parts as a strong-willed, independent woman of complex character. Her best-known movies included Stella Dallas (1937) and Double Indemnity (1944).

    • The Editors of Encyclopaedia Britannica
  5. Somehow that chorus girl managed to take those three simple words and turn them into a lifetime and a career unparalleled in its emotional honesty, diversity and skill. This is the achievement of Barbara Stanwyck. Born Ruby Stevens in Brooklyn, New York, she was orphaned by the age of four.

  6. Barbara Stanwyck. Actress: Double Indemnity. Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985).

  7. 6. Dez. 2013 · Utterly Modern: The Charisma of Barbara Stanwyck. Nell Minow. December 6, 2013. 6 min read. Among the stars of the 1930s and ’40s, Stanwyck stands out as one of the few who could walk onto a movie set today—or fifty years from today—and still seem utterly modern.

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