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  1. He is the co-editor of The Popular Music Studies Reader (Routledge, 2005) (with Andy Bennett and Jason Toynbee), and American Studies: A New Anthology (Wiley/Blackwell, 2009) (with Janice Radway, Kevin Gaines and Penny Von Eschen).

  2. The continuing embarrassment of culture: From the culture concept to cultural studies. B Shank. American Studies 38 (2), 95-116. , 1997. 19. 1997. The Political Agency of Musical Beauty. B Shank. American Quarterly 63 (3), 831-855.

  3. Barry Shank. Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies. shank.46@osu.edu. 614-247-6186. 440 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

  4. Barry Shank. Director, Humanities Centers Consortium; Professor, Comparative Studies. shank.46@osu.edu. (614) 247-6186. 442 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

  5. Barry Shank. he/him/his. College of Arts and Sciences Distinguished Professor of Comparative Studies & Director of the Humanities Institute. 440 Hagerty Hall. shank.46@osu.edu.

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  6. 5. Sept. 2020 · Barry Shank. Edited by. Simon Frith , Will Straw and. John Street. Chapter. Get access. Cite. Summary. There should be no argument that the transformations in popular music that we associate with the rise and development of rock were the result of white fascination with black music.

  7. 17. März 2014 · In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared...