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1. comparativestudies.osu.edu › people › shankBarry Shank | Department of Comparative Studies

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   He is the co-editor of The Popular Music Studies Reader (Routledge, 2005) (with Andy Bennett and Jason Toynbee), and American Studies: A New Anthology (Wiley/Blackwell, 2009) (with Janice Radway, Kevin Gaines and Penny Von Eschen).

2. scholar.google.com › citations‪Barry Shank‬ - ‪Google Scholar‬

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   The continuing embarrassment of culture: From the culture concept to cultural studies. B Shank. American Studies 38 (2), 95-116. , 1997. 19. 1997. The Political Agency of Musical Beauty. B Shank. American Quarterly 63 (3), 831-855.

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4. humanitiesinstitute.osu.edu › people › shankBarry Shank | Humanities Institute

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   Barry Shank. Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies. shank.46@osu.edu. 614-247-6186. 440 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

5. cfs.osu.edu › people › shankBarry Shank | Center for Folklore Studies - Ohio State University

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   Barry Shank. Director, Humanities Centers Consortium; Professor, Comparative Studies. shank.46@osu.edu. (614) 247-6186. 442 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

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     The Long Ryders - "Ivory Tower"

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     GEMS - Didn't Like It Anyway (1978)

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     Ivory Tower (Live, Dingwalls, London, 22 March 1985)

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7. comparativestudies.osu.edu › peoplePeople | Department of Comparative Studies

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   Barry Shank. he/him/his. College of Arts and Sciences Distinguished Professor of Comparative Studies & Director of the Humanities Institute. 440 Hagerty Hall. shank.46@osu.edu.

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8. books.google.com › books › aboutThe Political Force of Musical Beauty - Barry Shank - Google...

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   17. März 2014 · In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared...

9. www.dukeupress.edu › The-Political-Force-of-Musical-BeautyDuke University Press - The Political Force of Musical Beauty

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   In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners.