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30. Jan. 2010 · One More Dance by Miriam Makeba with Harry Belafonte. brendandawna. 3.13K subscribers. Subscribed. 1.6K. 204K views 14 years ago. from Belafonte Returns to Carnagie Hall (1960)...
- 4 Min.
- 204,8K
- brendandawna
It is the second of two Belafonte Carnegie Hall albums, and was recorded May 2, 1960. It peaked at No. 3 on the Billboard Pop albums charts. Belafonte shares the stage in this live recording with The Belafonte Folk Singers, Odetta, The Chad Mitchell Trio and Miriam Makeba .
- 71:49
- May 2, 1960
- Bob Bollard
- November 1960
1956 — US. Vinyl —. LP, Album, Mono. Explore the tracklist, credits, statistics, and more for Belafonte Returns To Carnegie Hall by Harry Belafonte With Odetta, Miriam Makeba, The Chad Mitchell Trio And The Belafonte Folk Singers Conducted By Robert DeCormier. Compare versions and buy on Discogs.
- (273)
- Folk, World, & Country
- 611
- Calypso, Folk, Ballad
Harry Belafonte With Odetta, Miriam Makeba, The Chad Mitchell Trio And The Belafonte Folk Singers Conducted By Robert DeCormier – Belafonte Returns To Carnegie Hall (1960, Rockaway Pressing, Vinyl) - Discogs. More images. Tracklist. Hide Credits. Companies, etc. Copyright © – Radio Corporation Of America.
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Belafonte With Odetta, Miriam Makeba, The Chad Mitchell Trio, The Belafonte Folk Singers – Belafonte Returns To Carnegie Hall (1960, Indianapolis Pressing, Vinyl) - Discogs. Belafonte * With Odetta, Miriam Makeba, The Chad Mitchell Trio, The Belafonte Folk Singers – Belafonte Returns To Carnegie Hall. More images. Tracklist. Hide Credits.
- (1)
- 12
Belafonte Returns to Carnegie Hall, an Album by Belafonte with Odetta, Miriam Makeba, The Chad Mitchell Trio, The Belafonte Folk Singers. Released in 1960 on RCA Victor (catalog no. LOC-6007; Vinyl LP). Genres: Contemporary Folk. Featured peformers: Bob Bollard (producer, liner notes), Bob Simpson (recording engineer), Robert De Cormier (music ...
Listen to Belafonte Returns To Carnegie Hall on Spotify. Harry Belafonte, Odetta & Miriam Makeba · Album · 2011 · 18 songs.
