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Bianca Maria di Piero de' Medici (10 September 1445 – 20 July 1505) was a member of the de' Medici family, de facto rulers of Florence in the late 15th century. She was the daughter of Piero di Cosimo de' Medici, de facto ruler of the Florentine Republic, and sister of Lorenzo de' Medici, who succeeded his
- April 1488 (aged 42)
- House of Medici
- 10 September 1445, Republic of Florence
- Guglielmo de' Pazzi
Bianca de’ Medici (* 1536; † 1. März 1542 in Florenz ), in der Regel auch bekannt als Bia de’ Medici, war die uneheliche Tochter von Cosimo I. de’ Medici, Großherzog der Toskana, die noch vor seiner ersten Ehe geboren wurde.
Bianca de' Medici is the sister of Lorenzo the Magnificent and Giuliano de' Medici. When Lorenzo takes over the power from his father, he promises Bianca's hand in marriage to Bastiano Soderini. When Bianca finds out about the engagement through Bastiano, she confronts Lorenzo. He explains that...
Bianca Maria de' Medici, die Gattin von Guglielmo de' Pazzi (1437-1516) Die spezifischen Farben der Pazzi waren Blau und Gold. Geboren: 10. September 1445. Gestorben: im Jahr 1488. Vater: Piero de' Medici (1416-1469) Mutter: Lucrezia Tornabuoni (1425/27-1482) Gatte/in: Guglielmo de' Pazzi (1437-1516); Heirat im Jahr 1459. Kinder:
Bia de' Medici. Bia de' Medici, (c. 1536 – 1 March 1542) was the illegitimate daughter of Cosimo I de' Medici, Grand Duke of Tuscany, born before his first marriage. The identity of Bia's mother is not known, but Cosimo I was likely no older than sixteen when he fathered her.
- 64 cm × 48 cm (25 in × 19 in)
- Agnolo Bronzino
- c. 1542
- Oil on wood
Bianca de’ Medici (* 1536; † 1. März 1542 in Florenz ), in der Regel auch bekannt als Bia de’ Medici, war die uneheliche Tochter von Cosimo I. de’ Medici, Großherzog der Toskana, die noch vor seiner ersten Ehe geboren wurde. Angebliches Portrait Bia de' Medici (tatsächlich wohl Maria de' Medici), Agnolo Bronzino, Tribuna degli Uffizi, Florenz.
4. Feb. 2022 · The portrait of Bia de' Medici, a masterpiece by Bronzino, is one of the Uffizi's most famous and appreciated works. Behind this painting, however, lies a sad story. There are not many official portraits of children in the history of art, and they are generally depicted alongside an adult, who could be either one of their parents or their guardian.
