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  1. Vor einem Tag · Nina Simone, Bobbie Gentry, Karen Dalton. The three greats! What record can you listen to over and over and never tire of? Nina Simone’s Live In Paris. Tell us about your show! My show Static + Distance has evolved over the years, but one thing you can count on is me never sticking with one genre long. I primarily play music from the 60s/70s ...

  2. Vor 2 Tagen · The careers of Bobbie Gentry, Nancy Sinatra and Jeannie C Riley all suffered a similar fate, though Posey appeared to take it all in her stride. She continued to do session work, and was as in-demand as ever, providing backing vocals for everyone from Tommy Roe to Joe Tex and Bobby Goldsboro. She also backed Percy Sledge on his southern soul ...

  3. Vor 2 Tagen · This album is 47 minutes long. 01 Onto the Dance Floor (Squeeze) 02 Elephant Girl (Squeeze) 03 I Can't Hold On (Squeeze) 04 The Apple Tree (Squeeze) 05 She Doesn't Have to Shave (Squeeze) 06 Footprints in the Frost (Squeeze) 07 Is That Love (Squeeze) 08 Melody Motel (Squeeze)

  4. Vor einem Tag · She tightens the reins on the fun with the rockabilly classic “Psycho,” which comes off with a genuine Bobbie Gentry-like storytelling style & then the deep-voiced Mud tosses out a hearty Lee Hazelwood (who duetted with Nancy Sinatra in the ’60s) gruff authoritative vocal. The contrast is pure pop country but it’s done today with just enough drama to not sink into parody. There’s a ...

  5. Vor 3 Tagen · Single by the Righteous Brothers; from the album You've Lost That Lovin' Feelin' ; B-side "There's a Woman" Released: November 1964: Recorded: September 26, 1964: Studio: Gold Star, Hollywood

    • "There's a Woman"
    • November 1964
    • September 26, 1964
    • Gold Star, Hollywood
  6. Vor 5 Tagen · A catchy mix of New Wave, pop, and rock, the album shot to international success thanks to its lead single: “Walking on Sunshine.”. Originally meant to be a ballad, the song was later ...

  7. Vor 4 Tagen · This gathers together pretty much everything from the bulk of Bobbie Gentry's recording years, leaving off a few odds and ends from the late 1970s. The presentation of this is beautiful, with great attention to detail in all regards; visual, sonic, and the printed word.