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  1. Caro Dawes, 1924. Caro Dana Dawes, geborene Blymyer (* 6. Januar 1866; † 3. Oktober 1957) war die Ehefrau von Charles Gates Dawes, dem US-amerikanischen Vizepräsidenten unter Calvin Coolidge und dadurch Second Lady der Vereinigten Staaten. Caro Blymyer heiratete 1889 Charles Dawes.

    • Dawes, Caro Dana (vollständiger Name); Blymyer, Caro Dana (Geburtsname)
    • US-amerikanische Second Lady
    • 6. Januar 1866
    • Dawes, Caro
  2. en.wikipedia.org › wiki › Caro_DawesCaro Dawes - Wikipedia

    Caro Dana Dawes (née Blymyer; January 6, 1865 – October 3, 1957) was the wife of Vice President Charles G. Dawes, and thus second lady of the United States from 1925 to 1929, during the Presidency of Calvin Coolidge.

  3. Summary. Caro Blymyer Dawes (1865-1957) was the wife of Charles Gates Dawes (who served as Vice President under Calvin Coolidge) and a community leader in her own right. Caro Dawes was very active in children’s welfare issues by the time the Dawes’ moved to Evanston.

  4. 29. Mai 2013 · May 29, 2013 / Women of Note / 4 Comments. Caro Dawes as a young woman. By Molly Kettler, EHC Archives Volunteer and Sunday Docent. To visitors of the Evanston History Center, the accomplishments of Caro Blymyer Dawes (1866 – 1957) may not be as well-known as those of her husband, Charles Gates Dawes (1865-1951).

  5. www.wikiwand.com › de › Caro_DawesCaro Dawes - Wikiwand

    Caro Dana Dawes, geborene Blymyer war die Ehefrau von Charles Gates Dawes, dem US-amerikanischen Vizepräsidenten unter Calvin Coolidge und dadurch Second Lady der Vereinigten Staaten.

  6. Caro Dana Dawes, geborene Blymyer (* 6. Januar 1866 ; † 3. Oktober 1957 ) w ar die Ehefrau v on Charles Gates Dawes , d em US-amerikanischen Vizepräsidenten u nter Calvin Coolidge u nd dadurch Second Lady d er Vereinigten Staaten.

  7. 6. Apr. 2024 · Charles Gates Dawes and Caro Blymyer Dawes purchased the property in 1909, living here with their children and longtime domestic staff, for over 40 years. Each room showcases the family’s remarkable collection of furnishings and artwork, interpreted through their lifestyle in the 1920s.