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  1. 6. Mai 2024 · Directors like Chris Marker, Alain Resnais and Jean Rouch anticipated the colonialism debates of the 21st century and made an indictment of the world of “old white men” in their films as early as the 1950s. Statues Also Die: Directed by Alain Resnais and Chris Marker, F 1953, 30 min, b/w, OmeU. The Mad Masters: Directed by Jean Rouch, F ...

  2. 15. Apr. 2024 · T here have been experimental, freestyling essay films and memoiristic documentaries around for years, going back to Chris Marker’s Sans Soleil or Agnès Varda’s The Gleaners and I.But just ...

  3. 29. Apr. 2024 · Sans soleil - Chris Marker - 1983. Un essai cinématographique.Civilisation japonaise - Guinée-Bissau - Cap-Vert.La première minute dans la version anglaise....

  4. 21. Apr. 2024 · Chris Marker, 1978, 180 min. Marker’s incomparable editing skills attained a new level of sublimity and subtlety in his epic chronicle of the international New Left’s spectacular rise and fall. At turns mordant and mournful, A Grin Without a Cat uses an extraordinary range of source material – newsreels, propaganda films and Marker’s ...

  5. Vor 6 Tagen · France, Japan, and Cinema from Hiroshima to Fukushima. The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 ...

  6. www.superiorviaduct.com › blogs › newsNews - Superior Viaduct

    1. Mai 2024 · Chris Marker's 100th Birthday July 29 2021. French filmmaker, photographer and writer Chris Marker would have turned 100 years old today. No other artist has had such a lasting impact on us here at Superior Viaduct. While Marker himself was notoriously reclusive, his work remains deeply personal, lyrical, being-in-the-world and forever searching.

  7. 1. Mai 2024 · May 1, 2024. Film Kinema Essentials past event. Introduction by editor Sadie Starnes. Presented with The Film Desk for the launch of the first English language edition of Chris Marker’s 1982 photo-essay Le Dépays —a collection of Marker’s black-and-white photography in Japan tracing similar themes to Sans Soleil, from maneki-neko to ...