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  1. Directed by Gideon Bachmann • 1970 • Italy In this remarkable 1970 documentary, Gideon Bachmann captures Federico Fellini at work on the set of FELLINI SATYRICON. Skip to main content Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection.

  2. Federico Film jest kreatywnym, nagradzanym w Polsce i zagranicą producentem filmowym. O nas Marta Plucińska Absolwentka Wydziału Nauk Przyrodniczych Uniwersytetu Wrocławskiego: studiowała także dziennikarstwo, filozofię i polonistykę. W czasie studiów realizowała filmy w amatorskim klubie filmowym Fosa przy Wydziale Architektury Politechniki Wrocławskiej. W 1997 roku ukończyła ...

  3. it.wikipedia.org › wiki › Ciao_nemicoCiao nemico - Wikipedia

    Trama. Nell'estate del 1943, dopo lo sbarco delle truppe americane in Sicilia, il generale statunitense Brigg manda un commando di guastatori, capitanati dal tenente Kirby, a minare il Ponte dei Cesari per essere pronti a farlo saltare al momento più opportuno. Da parte italiana, il colonnello che comanda le operazioni riceve anche lui l ...

  4. en.wikipedia.org › wiki › Ciao_(film)Ciao (film) - Wikipedia

    Ciao portrays these two days where the two bereaved friends one from Dallas and the other from Italy meet and talk mostly about Mark and the impact he had on both of them in a close, personal and frank manner. Through these intimate conversations, the two men form a rapport that grows, and they are soon drawn together both by their connection with the deceased Mark, and by a growing intimacy ...

  5. A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

  6. TMDb Film.nu använder sig av The Movie Database API (TMDb) för vissa funktioner, men är inte på något sätt stödd eller certifierad av TMDb. Medverkande skådespelare i “Ciao, Federico!” Sandra Milo

  7. Federico Fellini’s Satyricon was one of the most highly anticipated art-house films of its era. That anticipation was partly manufactured by the PR department of United Artists, which had invested heavily in the project and was perhaps worried about recouping its money.