Suchergebnisse
Suchergebnisse:
26. März 2021 · Friday, Mar 26, 2021. Across the four-decade history of their collaboration, Claes Oldenburg and Coosje van Bruggen produced more than forty monumental sculptures and site-specific installations, which they referred to as “Large-Scale Projects.”. Quite apart from merely placing existing works without regard to the specificities and ...
18. Juli 2022 · Er war bekannt für seine überdimensionalen Skulpturen von Alltagsgegenständen. Jetzt ist der Pop-Art-Künstler Claes Oldenburg im Alter von 93 Jahren gestorben.
27. Jan. 2017 · “I am for an art,” Pop artist Claes Oldenburg wrote in 1961, “that does something other than sit on its ass in a museum.” He went on to create a series of large-scale public sculptures far too big for a gallery. From immense ice cream cones to colossal clothespins, each one monumentalizes the everyday in Oldenburg’s signature tongue-in-cheek style.
19. Juli 2022 · Im Alter von 93 Jahren Pop-Art-Künstler Claes Oldenburg ist gestorben. Er galt als eine der letzten Ikonen der Popart. Seine riesigen Skulpturen stehen auf der ganzen Welt. Nun ist Claes ...
Oldenburg and van Bruggen, Apple Core (1992) In Apple Core unity and duality are less evident though the apple was once circular and round. Now eaten, two negative-spaces spell C for C laes, one inverted like a reflection in the mirror of his mind: two C 's in one O 3. What is left is the core (of existence), in part because Eve's apple ...
Gallery Label The husband and wife team of Claes Oldenburg and Coosje van Bruggen were commissioned in 1994 to design a sculpture for The Nelson-Atkins Museum of Art. They responded to the formality of the original neoclassical building and the green expanse of its lawn by imagining the Museum as a badminton net and the lawn as a playing field.
The husband and wife team of Claes Oldenburg and Coosje van Bruggen were commissioned in 1992 to design a sculpture for The Nelson-Atkins Museum of Art. They responded to the formality of the Museum’s 1933 neoclassical building and the green expanse of its lawn by imagining the Museum as a badminton net and the lawn as a playing field.