1923
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Colleen Moore (* 19. August 1900 in Port Huron, Michigan; † 25. Januar 1988 in Paso Robles, Kalifornien; eigentlich: Kathleen Morrison) war eine US-amerikanische Schauspielerin. Sie wurde häufig für den Frauentyp der Flapper besetzt und wurde zu einem der größten Stars der späten Stummfilmzeit.
Colleen Moore (born Kathleen Morrison; August 19, 1899 – January 25, 1988) was an American film actress who began her career during the silent film era. Moore became one of the most fashionable (and highly-paid) stars of the era and helped popularize the bobbed haircut.
Actress: So Big. Colleen Moore was born Kathleen Morrison in Port Huron, Michigan. Her father was an irrigation engineer and his job was good enough to provide the family a middle-class environment. She was educated in parochial schools and studied at the famed Detroit Conservatory.
- January 1, 1
- Port Huron, Michigan, USA
- January 1, 1
- Paso Robles, California, USA
18. Okt. 2023 · Wie Republicworld erörtert, basiere das Original aus den 30ern zwar auf dem Leben von Stummfilmstar Colleen Moore, allerdings machten auch Gerüchte über andere wahre Hintergründe die Runde....
- Stefan Schunck
- 5 Min.
24. Jan. 2024 · Today, we look at the fascinating life of silent film star Colleen Moore, and how a split-screen camera trick makes "Ella Cinders" (1926) one of her funniest and most memorable films of all time. Learning That There’s So Much More to Colleen Moore! | Now See Hear!
Colleen Moore (born Aug. 19, 1900, Port Huron, Mich., U.S.—died Jan. 25, 1988, Paso Robles, Calif.) was an American actress who epitomized the jazz-age flapper with her bobbed hair and short skirts in such silent motion pictures as Flaming Youth (1923), Naughty But Nice (1927), Synthetic Sin (1929), and Why Be Good?
Colleen Moore (born Kathleen Morrison; August 19, 1899 – January 25, 1988) was an American film actress who began her career during the silent film era. Moore became one of the most fashionable (and highly-paid) stars of the era and helped popularize the bobbed haircut.
