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  1. Vor 5 Tagen · Redding, Otis: The heartrending chorus of Try a Little Tenderness, delivered to ‘the love crowd’ during a rainy set at the Monterey Pop Festival – June 1967. Complete & Unbelievable: the Otis Redding Dictionary of Soul (1966) • U2: U2 perform Bad at Live Aid – July 13, 1985. The Unforgettable Fire (1984)

  2. Vor 3 Tagen · 25. Redding, OtisComplete & Unbelievable: the Dictionary of Soul 26. Gaye, Marvin – Here, My Dear 27. Richie, Lionel – Can’t Slow Down 28. Blige, Mary J – What’s the 411? 29. Jackson, Janet – Janet 30. Badu, Erykah – Baduizm 31. Franklin, Aretha – Aretha Now 32. Redding, Otis – Soul Album 33. Hayes, Isaac – Hot Buttered ...

  3. Vor 2 Tagen · アルバム情報 アーティスト: Otis Redding リリース日: 1966/10/15 レーベル: Volt(US) 「『歴代最高のアルバム』500選(2020年版)」における順位は448位でした。 メンバーの感想 The End End カッコいい!!感情が素朴に誇張されていて心地良い。食材が元々持っている味をより引き出すために使われる少量 ...

  4. Otis Ray Redding Jr. (9 de septiembre de 1941 - 10 de diciembre de 1967) fue un cantante y compositor estadounidense. Es considerado uno de los más grandes cantautores en la hist

  5. Vor 5 Tagen · As fans well know, Redding laid down the vocals for “(Sittin’ On) The Dock of the Bay” in two sessions, on November 22 and December 7, 1967. Steve Cropper, co-writer and Stax Records producer, vividly recalled Otis’s creative process, highlighting his ability to draw inspiration from his surroundings. “He had been in San Francisco ...

  6. Vor 3 Tagen · “Respect” was written by Otis Redding, a soul musician who recorded the song in 1965. Aretha Franklin’s version of the song, released in 1967, added new lyrics and a new sound that transformed the song into a feminist anthem. The opening lines of the song set the tone for the rest of the lyrics: “What you want, baby, I got it

  7. Vor 4 Tagen · Siskel, writing for the Chicago Tribune, felt that the film was "a joyful but empty mixture of Irish kids and black American soul music". In his review for Entertainment Weekly , Owen Gleiberman criticized the overall premise as being "downright insulting", explaining, "In Parker's hands, soul music becomes little more than a self-serving metaphor – an easy symbol for 'commitment' and ...