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  1. Ralph Moore's Surveys. The link list for all Ralph's surveys, either on this site or on the new site, can be found here. Advertising on. Musicweb. Obtain 10% discount. Subscribe to our free weekly review listing.

  2. All compositions by Ralph Moore except where noted "Hopscotch" – 7:56 "Monk's Dream" (Thelonious Monk) – 7:57 "3 1 0 Blues" – 8:04 "Phoebe's Samba" (Benny Green) – 5:53 "Girl Talk" – 6:55 "Into Dawn" (Roy Hargrove) – 7:40 "Line D" – 4:15; Personnel. Ralph Moore – tenor saxophone; Roy Hargrove – trumpet (tracks 1, 3 ...

    • March 3 & 5, 1990
    • Jazz
  3. All compositions by Ralph Moore except where noted. "Freeway" – 8:04. "Enigma" ( J. J. Johnson) – 5:29. "Episode from a Village Dance" ( Donald Brown) – 7:37. "Morning Star" ( Rodgers Grant) – 8:31 Additional track on CD reissue. "This I Dig of You" ( Hank Mobley) – 5:36. "Blues for You" – 5:04. "Punjab" ( Joe Henderson) – 6:59.

    • December 15 & 17, 1988
    • Jazz
  4. en.wikipedia.org › wiki › Ralph_MooreRalph Moore - Wikipedia

    Ralph Moore (born 24 December 1956) is an English jazz saxophonist. Early life. Moore was born in Brixton, London, England. His mother was the dancer ...

  5. 3. März 2024 · The result is a quartet tailor-made for Ralph with an incredibly groovy rhythm section. You can look forward to original compositions, classics from the Great American Songbook and more. The main thing is that it swings hard! Ralph Moore is a US-American saxophonist (tenor/soprano) in the hard bop tradition. He studied at the Berklee ...

    • March 3, 2024
  6. by Ralph Moore Tristan und Isolde represents both the highpoint of Romantic opera and the gateway to a new world of harmonic invention, epitomised by the famous “Tristan chord”. Despite its length and nearly insurmountable vocal challenges for its principal singers, it has established and maintained a central

  7. Ralph Moore, the young man featured on this outstanding album, would certainly not discount the impact of Trane’s playing on his own style. But Moore has steered clear of the pitfall of imitation. Tonally he is softer, and his improvisations brim with his own ideas. He comes from what might be termed mid-period Coltrane, but finds stimulating, new things to say within that general area.