Suchergebnisse
Suchergebnisse:
28. Apr. 2024 · Daido Moriyama – The Past is always new, the Future is always nostalgic. Verliebt, Verlobt, Verloren. Von Mädchen und Pferden. Das Wunder. Vergiss mein nicht! Nicht verrecken . Clash. Ein Mann von Welt. Im Nachtlicht. Unsere Erde 2. Ta ...
Vor 2 Tagen · Vintage (ビンテージもの) Vintage, by definition, generally refers to things of high quality produced with great skill in the past. In photography the term is used in a variety of ways. There is the vintage camera which was produced sometime in the past century and which uses film. Then there are vintage lenses, also from the same period ...
26. Apr. 2024 · Daido Moriyama – The Past is always new, the Future is always nostalgic. Der Wald vor lauter Bäumen. Vor der Morgenröte. Deutschstunde. Predestination. Land of Dreams . Belleville, belle et rebelle. Die Tribute von Panem – Mockingja ...
26. Apr. 2024 · Anfangs temporeiche, witzige und überraschend selbstironische Neuauflage der einstigen Kultserie, in der Dwayne Johnson die Hasselhoff-Rolle mit großer Spiellaune ausfüllt. Später rutscht »Baywatch« zur albernen Agentenparodie ab. Zur Person.
Vor einem Tag · Installation view of the exhibition Weegee, Autopsy of the Spectacle at the Foundation Henri Cartier-Bresson, Paris showing at second left, Weegee’s Man Arrested for Cross-Dressing, New York (Gay Deceiver) (1939, above); and at top right, a magazine print of his photograph Untitled [Young man smoking cigarette in crashed car while waiting for ambulance, New York] (1941, below)
Vor 4 Tagen · Noting the fact that “Christianity has shaped Europe and vice versa,” you write that looking to the past does not serve to reclaim a glory that no longer exists. What role should the Catholic Church play in the future of the Old Continent?
27. Apr. 2024 · Nostalgia is a way to negotiate difficult periods of history, avoid history altogether, radicalize the future (to both the left and right), anesthetize the pliant masses in a materialist economy, enter a self-referential hall of mirrors, and even structure the very nature of memory and identity.
