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  1. Pages in category "Video games scored by Daniel Pemberton" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. K. Kinect Adventures! Knights and Bikes; L. LittleBigPlanet (2008 video game ...

  2. Daniel Pemberton (Reino Unido, 3 de novembro de 1977) é um compositor inglês. [1] [2] [3] Referências Este artigo sobre uma pessoa é um esboço. Você pode ajudar a Wikipédia . Esta página foi editada pela última vez às 15h52min d ...

  3. Development. Daniel Pemberton composed the score after working with Sorkin in Steve Jobs (2015), Molly's Game (2017) and The Trial of the Chicago 7 (2020). Being the Ricardos was an unusual film for Pemberton, as the story set in the golden age of Hollywood, it needed a classical score, saying "A lot of the story is, in some ways, this dream of a perfect world, which Lucy’s searching for ...

  4. Daniel Pemberton, ( 3 de novenbre 1977) el ze un conpozidor britanego de cołone sonore sinematografeghe e tełevizive. Filmografia parsiałe. Cinema. The Counselor - Il procuratore ( The Counselor ), regia de Ridley Scott (2013) Cuban Fury, regia de James Griffiths (2014) Operazione U.N.C.L.E.

  5. 16. Juni 2018 · Daniel Pemberton is the powerful musical pioneer behind an array of evocative films including All The Money in the World, The Man from U.N.C.L.E, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, and many others. After deep exploration into electronic music, Daniel broke into the field of film scoring at the age of 16, crafting musical treatments for documentaries after ...

  6. Pages in category "Daniel Pemberton soundtracks" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. A. The Awakening (soundtrack) B. Being the Ricardos (soundtrack) Birds of Prey (soun ...

  7. Composer Daniel Pemberton wrote the score for Motherless Brooklyn in less than four weeks and produced it in less than two weeks. He recorded it at Abbey Road Studios in three days. Norton told him, "I want like half Miles Davis half Radiohead. I want a big, lyrical, thematic jazz score but I also want this element of dissonance because of the ...

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