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Daniel-Henry Kahnweiler war ein deutsch-französischer Galerist, Kunsthistoriker und wissenschaftlicher Autor. Kahnweiler ist besonders bekannt für seine langjährige Zusammenarbeit mit Pablo Picasso. Sein erstes kunsttheoretisches Buch aus dem Jahr 1920, Der Weg zum Kubismus, beeinflusste das Denken über moderne Kunst.
Daniel-Henry Kahnweiler (25 June 1884 – 11 January 1979) was a German-born art collector, and one of the most notable French art dealers of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of Pablo Picasso, Georges Braque and the Cubist movement in art.
Daniel-Henry Kahnweiler (born June 25, 1884, Mannheim, Germany—died January 11, 1979, Paris, France) was a German-born French art dealer and publisher who is best known for his early espousal of Cubism and his long, close association with Pablo Picasso.
- The Editors of Encyclopaedia Britannica
Mannheim, 1884–Paris, 1979. Daniel-Henry Kahnweiler was an art dealer turned publisher and writer, who became the pioneering champion of Cubism as the first dealer to sign exclusive contracts with Cubist artists such as Georges Braque and Pablo Picasso and as an early theorist of their work. He opened his first gallery, Galerie Kahnweiler, in ...
Daniel-Henry Kahnweiler was a German art dealer, gallery owner and champion of Cubism. Kahnweiler is credited as one of the first people to truly appreciate the early works of Picasso, Braque, Léger and the success of such artists was highly influenced by Kahnweiler's purchase and promotion of these works.
- German
- June 25, 1884
- Mannheim, Germany
- January 11, 1979
The subject of this portrait is Daniel-Henry Kahnweiler (1884 - 1979), a German-born art dealer, writer, and publisher. Kahnweiler opened an art gallery in Paris in 1907and in 1908 began representing Pablo Picasso, whom he introduced to Georges Braque.
11. März 2020 · Braque’s response was to take the canvases to an enterprising young dealer, Daniel-Henry Kahnweiler, who took a prompt action of his own: the day after the Salon closed, he opened Braque’s first solo show, an exhibition of twenty-seven works.
