Suchergebnisse
Suchergebnisse:
Dennis Cordell-Lavarack. Profile: English producer & label boss (August 1, 1943 - February 18, 1995), perhaps most famous for producing The Moody Blues and the Cranberries. Cordell first gained fame in 1967 as the producer of Procol Harum 's A Whiter Shade Of Pale. Later, his Shelter record label was home to the likes of Tom Petty, Joe Cocker ...
Denny Cordell. Denny Cordell is the type of guy who, in his 30-year music career, was at nearly every right place at the right time. Born in Buenos Aires but raised in England, Cordell met and befriended Island Records…. Read Full Biography.
Shine on Brightly is credited as produced solely by Denny Cordell, but in fact he and Procol Harum had a parting of ways roughly halfway through recording it. Among the grievances between them was Cordell's trying to get drummer B. J. Wilson to leave Procol Harum and join Joe Cocker 's backing band. [3]
The Denny Cordell Lavarack Fillies Stakes is a Group 3 flat horse race in Ireland open to thoroughbred fillies and mares aged three years or older. It is run at Gowran Park over a distance of 1 mile, 1 furlong and 100 yards (1,902 metres), and it is scheduled to take place each year in late September.
Dennis Cordell-Lavarack, known as Denny Cordell, was an English record producer. He is notable for his mid-1960s and early 1970s productions of hit singles for The Moody Blues, Leon Russell, The Move, Procol Harum, Joe Cocker and Tom Petty and the Heartbreakers.
Professional ratings. An Introduction to The Moody Blues is a compilation album by the early Moody Blues, led by Denny Laine. It includes all songs from The Magnificent Moodies except "True Story" and "Thank You Baby", but contains other early singles, as well as "People Gotta Go", which was only included on a rare French-only EP.
März 1967 unter Aufsicht von Denny Cordell zwei Demoaufnahmen in Mono. Der Schlagzeuger auf dem Demo gefiel Cordell nicht, und so entschied man sich für den Sessionmusiker Bill Eyden. [4] Gebucht waren für die endgültigen Aufnahmen im April 1967 die Olympic Studios [5] für eine 3-stündige Session, in der nur 2 Takes ohne Overdubs entstanden und in Mono abgemischt wurden.
