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1. post-punk.com › diamanda-galas-returns-with-new-album-brokenDiamanda Galás Returns with New Album “Broken Gargoyles” this...

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   18. Juni 2022 · Essays by Dr. Julia Meier of the Kestnergesellschaft Hannover and Luca Zanchi, from the upcoming book Gorgon in The Blue Room: Diamanda Galás and the Divine Monster of Grief (soon to be published). 4 paintings by Diamanda Galás. Pre-save here. Follow Diamanda Galás: Website; Facebook; Instagram

2. www.nytimes.com › 2016/05/08 › styleDiamanda Galás, Still Wild and Primal, Returns to the New York...

   www.nytimes.com › 2016/05/08 › style

   6. Mai 2016 · Diamanda Galás, Still Wild and Primal, Returns to the New York Stage. Diamanda Galás at her home in New York. Chad Batka for The New York Times. By Charles Curkin. May 6, 2016. The nearby lunch ...

3. www.youtube.com › watchDiamanda Galas - Gloomy Sunday - YouTube

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   Artist: Diamanda GalasSong: Gloomy Sunday

   • Videolänge: 5 Min.
   • Ansichten: 763K

   • Autor: inthelawn

4. daily.redbullmusicacademy.com › 2016 › 05A Guide to Diamanda Galás’ Work - Red Bull Music Academy

   daily.redbullmusicacademy.com › 2016 › 05

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   3. Mai 2016 · The Diamanda Galás story is a spectacular saga starring one scabrously sharp-tongued artist who doesn’t just happen to be a volcanic vocal virtuoso and audaciously original piano player. Via music, words and visual hyperdrama, Galás proffers insight into important things that the rest of us might not have bothered – or more likely have not had the imagination – to think about. That ...

5. diamandagalas.bandcamp.com › album › vena-cavaVena Cava | Diamanda Galás

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   Diamanda Galás is a Greek-American avant-garde composer and performer, whose work confronts the subjects of violence and despair with political conviction and austerity. Galás rose to prominence in the ‘80s and ‘90s with the recorded trilogy, Masque of the Red Death, and the performance work Plague Mass, which addressed the AIDS crisis in a time of deafening political silence and ...

6. www.nd-aktuell.de › artikel › 1167654Diamanda Galás: Ohne Rücksicht aufs Publikum | nd-aktuell.de

   www.nd-aktuell.de › artikel › 1167654

   Das Theatralische von Diamanda Galás’ Performance ist derart theatralisch, dass man Übertreibung und Selbstironie vermutet, wo wahrscheinlich gar nichts Derartiges zu finden ist. Das »Dämonische« dieser Stimme (Flüstern, Schreien, Krächzen) ist, gerade in all ihrer Virtuosität, möglicherweise wirklich so todernst gemeint, wie es klingt.

7. www.theguardian.com › music › 2009'My performance is catharsis' | Music | The Guardian

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   9. Apr. 2009 · It's an audacious, melodramatic, unforgettable tour de force: after Diamanda Galás, any other singer sounds like a half-arsed dilettante. Galás cuts such an incendiary and intimidating figure ...