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The Ultimate Sin is the fourth studio album by English heavy metal singer Ozzy Osbourne. It was released on 24 January 1986, and was remastered and re-issued on CD on 22 August 1995. It is the second and last of Osbourne's albums to feature lead guitarist Jake E. Lee, the first to feature drummer Randy Castillo, and the only album to feature ...
- 1985
- Ron Nevison
- 24 January 1986 (US), 10 February 1986 (UK)
Blizzard of Ozz. (1980) Diary of a Madman. Bark at the Moon. (1983) Diary of a Madman ist das zweite Studioalbum des Musikers Ozzy Osbourne. Es wurde am 7. November 1981 veröffentlicht. 2002 erschien eine Remaster-Version, bei der auch einige Teile geändert wurden.
- 9. Februar – 23. März 1981
- Jet
Diary of a Madman is the final album recorded with late guitarist Randy Rhoads. Although bassist Rudy Sarzo and drummer Tommy Aldridge are credited in the liner notes and pictured on the inner sleeve for the American vinyl and cassette release and later CD re-issues, it was bassist Bob Daisley and drummer Lee Kerslake who performed all bass and drum parts on the original release.
- February–March 1981; recorded in 3 weeks
- October 1981
The Ultimate Sin ist das vierte Studioalbum des Musikers Ozzy Osbourne. Es wurde am 22. Februar 1986 veröffentlicht. Am 22. August 1995 erschien es in einer remasterten Version erneut. Es ist das einzige Ozzy-Osbourne-Album mit Bassist Phil Soussan. Es war mit Platz sechs in den Billboard 200 das bis dahin am höchsten notierte Ozzy-Osbourne ...
Chronologie. Diary of a Madman. (1981) Bark at the Moon. The Ultimate Sin. (1986) Bark at the Moon ist das dritte Studioalbum des Musikers Ozzy Osbourne. Es wurde am 10. Dezember 1983 veröffentlicht. 1995 und 2002 erschienen Remaster-Versionen.
30. Juni 1998 · Moods and Themes. Diary of a Madman/Bark at the Moon/Ultimate Sin by Ozzy Osbourne released in 1998. Find album reviews, track lists, credits, awards and more at AllMusic.
Professional ratings. Bark at the Moon is the third studio album by English heavy metal singer Ozzy Osbourne, released on 18 November 1983 in the US [5] and on 2 December 1983 in the UK. [6] The album marks Ozzy's change to a synth infused pop-metal sound, with both its "sonic production, and in Ozzy's imaging". [7]
