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Discourse, Figure (French: Discours, figure) is a 1971 book by the French philosopher Jean-François Lyotard. The philosopher Alan D. Schrift described the book as Lyotard's first major work. According to the philosopher Iain Hamilton Grant, Lyotard regarded it as one of his key works, alongside Libidinal Economy (1974) and The ...
- 512 (University of Minnesota Press edition)
- Jean-François Lyotard
- 1971
- Klincksieck, University of Minnesota Press
Discourse, Figure could be read almost as a novel or epic poem, replete with philosophical, aesthetic, psychoanalytic, religious, and political allusions. His discourse is figurative.
28. Mai 2019 · Discours, figure : Lyotard, Jean François : Free Download, Borrow, and Streaming : Internet Archive. by. Lyotard, Jean François. Publication date. 2002. Topics. General semantics, Form (Aesthetics), Art -- Philosophy. Publisher. Paris : Klincksieck. Collection. inlibrary; printdisabled; trent_university; internetarchivebooks. Contributor.
Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic ...
Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic ...
c. Discourse, Figure Lyotard’s second book of philosophy is long and difficult. It covers a wide variety of topics, including phenomenology, psychoanalysis, structuralism, poetry and art, Hegelian dialectics, semiotics, and philosophy of language.
Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic ...
