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30. Juli 2022 · Cheatham appeared on sessions frequently during his later period. 1992’s The Eighty Seven Years Of Doc Cheatham finds him playing brilliantly. He leads a quartet that includes pianist Chuck Folds, takes some touching whispered vocals (including on “That’s My Home”), and stretches out on such numbers as “Blues In My Heart,” “Muskrat Ramble,” “Wolverine Blues,” and “Miss ...
2. Juni 1997 · Explore Doc Cheatham's discography including top tracks, albums, and reviews. Learn all about Doc Cheatham on AllMusic.
Doc Cheatham did a rigorous self-assessment in the 1970s to improve his playing. He taped himself and listened to the recordings critically. Then he tried to eliminate all cliches. Doc was rewarded with increasing critical attention. On May 2, 1977, Cheatham’s singing career was almost accidental. He recorded in Paris. Cheatham sang “What Can I Sing Dear After I Say Sorry” as a level and ...
Der Trompeter und Sänger Doc Cheatham trat dort von Beginn an auf und hatte dann ein regelmäßiges Sonntag-Engagement, das 17 Jahre andauerte, bis Cheatham 1997 starb. Der Pianist Chuck Folds nahm mit den Sweet Basil Friends (u. a. mit Spanky Davis und Irvin Stokes ) ein Erinnerungsalbum an Cheathams Sweet-Basil-Auftritte auf. [2]
25. Sept. 1995 · This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Doc Cheatham was a blues and jazz trumpeter who played from the early years of recordings all the way into the 1990s. Doc was just a teenager when he recorded with the blues legend Ma Rainey (1927) and played with a who's who of musicians and singers until his last ...
23. Sept. 2008 · Doc Cheatham: Jazz History's Eyewitness. September 23, 2008 • Known for his articulation and clarity as both an ensemble player and an expressive soloist, trumpeter Doc Cheatham was comfortable ...
Doc Cheatham agree with the critical assessment that he was probably the only jazz musician to create his best work after the age of 70! In the 1970s, Doc Cheatham made a vigorous self-assessment to improve his playing, including taping himself and critically listening to the recordings, then endeavoring to eliminate all clichés from his playing.
