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  1. Dog Eat Dog is the 12th studio album by the Canadian singer-songwriter Joni Mitchell, released in 1985. It was her second album for Geffen Records . As with its predecessor Wild Things Run Fast, Dog Eat Dog moves away from Mitchell's previous folk and jazz influences in favour of 1980s studio pop.

    • 1984–1985
    • October 1985
  2. www.rollingstone.com › music › music-album-reviewsDog Eat Dog - Rolling Stone

    But if Joni wants to reach beyond the faithful who’ll buy this LP to keep their collections complete, why is Dog Eat Dog such an unpleasant listen? “Good Friends,” the Michael McDonald duet ...

  3. listening to joni: #12: dog eat dog: We Move To Canada, February 15, 2020. Dog Eat Dog: UNCUT, December 2020. Joni Mitchell's Dog Eat Dog and a chance meeting with Thomas Dolby: bangzdrum.blogspot.com, February 9, 2023. Band Jury: Madeline Kenney Defends Joni Mitchell’s Dog Eat Dog: Spin, October 25, 2023.

  4. 12-page booklet: tracklist, release credits, track credits, lyrics, arwork. Engineered and mixed at Galaxy Studios, except track 5 recorded at A&M Records. Thomas Dolby appears courtesy of EMI Records Ltd. Steve Lukather appears courtesy of Columbia Records. Michael McDonald appears courtesy of Warner Bros. Records Inc.

    • (25)
    • Europe
    • 27
    • CD, Album, Reissue
  5. 1998 — Europe. CD —. Album. View credits, reviews, tracks and shop for the CD release of "Dog Eat Dog" on Discogs.

    • (10)
    • 5
  6. 1. After deep consideration, I've decided that I really like this album's ugly-ass cover. 2. The first track on here is a duet with Michael McDonald. Now, this shouldn't actually be all that odd, like, they're both vaguely jazzy singer-songwriters... and yet there's something that does not commute about them being on a track together.

  7. 4. Okt. 2018 · The album’s clumsiest moments reach for the mid-‘80s excesses Wild Things had merely threatened: Opening track “Good Friends” is, no shit, a duet with blue-eyed soul man Michael McDonald. But even the more appealing songs still call out for the organic warmth of Mitchell’s canonical work.