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In 1973, Jerry Wexler of Atlantic Records bought Sahm's contract from Mercury and produced Doug Sahm And Band, a "supergroup" album featuring Bob Dylan, Dr. John, David Bromberg, and Flaco Jimenez. Sahm and Meyers continued to record for different American labels throughout the 1970's and early 1980's, but without the popularity of the early years.
1. Aug. 2010 · In addition to the Sir Douglas Quintet lineup, Sahm explored a number of intriguing musical detours as the ’80s gave way to the ’90s. He recorded a Canadian album with pianist Gene Taylor and guitar ace Amos Garrett known as Return of the Formerly Brothers, a record with his bar band the Texas Mavericks called Who are These Masked Men and an Antone’s Records tribute to the old San ...
Was 1973's "Doug Sahm and Band" my favorite Doug Sahm album ? Nah, there were way too many country influence scattered across the twelve selections for my tastes. At the same time, the album included a couple of Sahm career classics. Co--produced by Jerry Wexler (who was also responsible for signing Sahm to Atlantic), Arif Mardin, and Sahm, the ...
27. The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. [1] Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records.
17. Nov. 2023 · Today Sahm is considered one of the most important figures in what is identified as Tex-Mex. He was the founder and leader of the 1960s hippie band The Sir Douglas Quintet, and later with Augie Meyers, Freddy Fender and Flaco Jimenez - The Texas Tornados. Sahm was proficient on dozens of musical instruments and was a lifelong baseball fan. View ...
16. Aug. 2012 · photos were taken by David Gahr and appear in the liner notes for Doug Sahm & Friends and The Genuine Texas Groover.We were just friends playing together."
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13. Nov. 2013 · Like the back-to-back LPs Doug Sahm and Band and Texas Tornado, Nelson's Atlantic twofer, Shotgun Willie and Phases and Stages (both 1974) are high points in a career mountainous with peaks -- even if, like Sahm's albums, they were invisible to the record-buying public. As the conversation segues from Sahm to Nelson, and the fact that Wexler was "terminal" at Atlantic by 1975 -- he and the ...
