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  1. Mitchell Froom (born June 29, 1953) is an American musician and record producer. He was a member of the bands Gamma and Latin Playboys, and is currently the keyboardist for Crowded House. He has produced albums for several artists, including Richard Thompson, Los Lobos, Suzanne Vega, and Vonda Shepard .

  2. en.wikipedia.org › wiki › Down_HereDown Here - Wikipedia

    Down Here is the second studio album by American singer-songwriter Tracy Bonham, released on April 18, 2000, through Island Records. The album was recorded between March 1998 and December 1999 by Bonham and producers Mitchell Froom, Tchad Blake, Mark Endert and Don Gilmore.

    • March 1998–December 1999
    • April 18, 2000
  3. Bonham’s refreshing rejoinders extend to grrl-on-grrl traction: ”I don’t understand/Why would a man/Want a circus clown,” she sings, zinging an overly made-up rival. Bonham’s got a lot of guilt-free power chords and a cautious sense of wonder to go with her churlish Everywoman insights, too.

  4. Mitchell Froom: A Demagnetized Chat with One of Today's Most Respected Producers! by John Baccigaluppi. One time I went to see Romeo Void (remember them?) at the California State Fair here in Sacramento.

  5. Despite having produced a string of successful albums by artists as diverse as Crowded House, Suzanne Vega and Elvis Costello, Mitchell Froom still strives for a fresh approach to each new project and refuses to sit back and sink into a formula. Paul Tingen talks to him.

  6. www.wikiwand.com › en › Down_HereDown Here - Wikiwand

    Down Here is the second studio album by American singer-songwriter Tracy Bonham, released on April 18, 2000, through Island Records. The album was recorded between March 1998 and December 1999 by Bonham and producers Mitchell Froom, Tchad Blake, Mark Endert and Don Gilmore.

  7. In a music industry where ‘bling’ has come to mean more than ‘sing’ and anyone who can manipulate a spacebar calls themselves a producer, Mitchell Froom’s career has been characterised by the very thing that an increasingly fashion-driven industry recoils from: idiosyncracy, a distinctive identity, and the ability to amplify the ...