2003
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Columbus Calvin Jr. „Duke“ Pearson (* 17. August 1932 in Atlanta, Georgia; † 4. August 1980 ebenda) war ein US-amerikanischer Jazz - Pianist, -Produzent und - Komponist . Inhaltsverzeichnis. 1 Leben und Wirken. 2 Auswahldiskographie. 2.1 Als Leader. 2.2 Als Sideman. 3 Literatur. 4 Weblinks. 5 Einzelnachweise. Leben und Wirken.
Piano. Years active. 1950s–1980. Labels. Blue Note. Atlantic. Columbus Calvin " Duke " Pearson Jr. (August 17, 1932 – August 4, 1980) [1] was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer." [2]
Learn about the life and career of Duke Pearson, a pianist, composer, arranger, and producer who worked with Blue Note Records in the 1960s and composed many memorable pieces. Explore his albums, videos, playlists, and news as a leader and a sideman.
Entdecken Sie Veröffentlichungen von Duke Pearson auf Discogs. Kaufen Sie Platten, CDs und mehr von Duke Pearson auf dem Discogs-Marktplatz.
TitelKatalognummerJahrIn Your Collection, Wantlist, Or ...EN4CD9141The Classic Albums Collection (4xCD, ...TOCP-70182MS-008Mosaic Select (Box, Comp, Ltd, Num + ...45-1754Gate City / Black Coffee (7", ...A comprehensive review of Duke Pearson's 1967 Blue Note album, featuring his compositions and piano playing. Learn about the album's tracks, musicians, influences and legacy in jazz history.
Donald Byrd noticed Pearson’s performance with the Art Farmer/Benny Golson Sextet (also called Jazztet) after Pearson moved to New York. Soon after, Byrd approached Pearson to ask him to join his newly-formed band, the Donald Byrd/Pepper Adams Quintet. On tour with Nancy Wilson in 1961, Pearson also accompanied her. Pearson fell ill in the same year. Herbie Hancock, a newcomer to the show ...
14. Dez. 2023 · A review of the 1968 album "The Phantom" by Duke Pearson, a hard-grooving pianist, composer, producer and A&R man who worked with Blue Note Records. The album features four Pearson originals and two covers, performed by a heavyweight ensemble of jazz stars. The reviewer praises Pearson's arrangements for flute and vibes, his melodic and harmonic skills, and his Latin influence.
