Suchergebnisse
Suchergebnisse:
Vor 4 Tagen · Set content ranges from Mutter’s 1978 DG debut album with Mozart’s 3 rd and 5 th Violin Concertos to those from Beethoven, Mendelssohn, Bruch and Brahms, all with Berliner Philharmoniker. LP 5 includes a live recording of Tchaikovsky’s Concerto with Wiener Philharmoniker from 1988, which turned out to be the very last cooperation of Anne ...
Vor 5 Tagen · From €29.00. The Concertgebouw Orchestra is looking forward to the return on 16 and 17 May 2024 of veteran conductor Semyon Bychkov, this time with works by Dvořák, Shostakovich and Rachmaninoff. And the icing on the cake: violinist Vilde Frang.
Vor 3 Tagen · A Passion for Sound. August 23, 2011 was Anne-Sophie Mutter's 35th anniversary of concert performances (in 1976 she first appeared on stage at the Lucerne Festival, playing Mozart’s D major Violin Concerto) – to celebrate this remarkable milestone Deutsche Grammophon is fêting her with a limited-edition, numbered, deluxe box-set of 40 CDs ...
Vor 5 Tagen · National Symphony Orchestra. Thursday, May 16, 2024 @ 7:00pm – 9:00pm (EDT) Concert Hall at John F. Kennedy Center for the Performing Arts, Washington, DC, United States. Anna Clyne — This Moment (NSO premiere) Felix Mendelssohn — Violin Concerto in E minor, Op. 64. Samuel Coleridge-Taylor — African Suite, Op. 35 (No. 4: Danse nègre)
Vor 4 Tagen · Op. 35: Piano Concerto No. 1 in C minor (1933); also known as the Concerto in C minor for Piano, Trumpet, and String Orchestra Op. 77: Violin Concerto No. 1 in A minor (1947–1948) Op. 102: Piano Concerto No. 2 in F major (1957)
Vor 3 Tagen · Evening Masterworks: Antonin Dvorak's Piano Trio No. 4 in e-minor “Dumky”. Folk-like style was a focal point in much of the music Dvorak produced, and this is quite evident in his final piano trio, the Piano Trio No. 4 in e minor, or “Dumky.”. It takes its name from the Ukrainian, folk song with the same name, marked by abrupt changes ...
Vor 2 Tagen · In addition to his chamber works for what were or were becoming standard combinations of instruments, Schumann wrote for some unusual groupings and was often flexible about which instruments a work called for: in his Adagio and Allegro, Op. 70 the pianist may, according to the composer, be joined by either a horn, a violin or a cello, and in the Fantasiestücke, Op. 73 the pianist may be ...
