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Elisa Bonaparte Biografický portál Elisa Bonapartová (* 3. január 1777 , Ajaccio , Korzika – † 7. august 1820 , Terst , Taliansko ) bola mladšou sestrou Napoleona Bonaparta , z jeho vôle veľkovojvodkyňou toskánskou v rokoch 1809 – 1814.
8. Jan. 2021 · Elisa Bonaparte Baciocchi was not as well-known as her sisters, beautiful Pauline and treasonous Caroline, but she was more capable than either of them. In fact, she was the Bonaparte sibling most like Napoleon, although she had the least influence over him. Napoleon himself said, “Elisa has the courage of an Amazon; and like me, she cannot bear to be ruled.” (1)
Élisa Bonaparte, nascuda com Maria-Anna (1777- 1820), va ser una princesa francesa i altesa imperial ( 1804 ), germana de Napoleó Bonaparte . Élisa va ser de manera successiva princesa de Piombino i de Lucca, [1] després Gran duquessa de Toscana. [2] [3] Va estar molt interessada per les arts, especialment pel teatre i les encoratjà en els ...
Elisa Bonaparte with her daughter Napoleona Baciocchi (1810/1810) by François GérardMuseo Napoleonico The oil on canvas was created by François Gérard on the direct commission of Napoleon Bonaparte, who commissioned the painter with a decree to portray the official full-size family portraits to adorn the walls of the Malmaison, externalizing the glory and memory of the 'Emperor at its apogee.
Maria Anna Elisa Bonaparte Baciocchi Levoy ( tiếng Pháp: Marie Anne Elisa Bonaparte; 3 tháng 1 năm 1777 – 7 tháng 8 năm 1820), được biết đến nhiều hơn với tên Elisa Bonaparte, là một công chúa hoàng gia của Đệ Nhất Đế chế Pháp và là em gái của Hoàng đế Napoléon I. Năm 1805, bà được anh ...
The history of the Basilica of San Petronio is intertwined with a very famous family, that of the Bonaparte family. In fact, Bologna has been, even if for just a short while, the home of Maria Anna Elisa Bonaparte, Napoleon’s sister. The woman arrived in the city in 1814, when she was dismissed from the office of Princess of Piombino, of ...
Elisa Bonaparte Baciocchi versucht in ihrer Regierungszeit der Stadt Florenz ein würdiges, künstlerisches Dasein zu verleihen. Dahinter war allerdings der Eigennutz zu sehen, dass sie sich in einer herrschaftlich-künstlerischen Linie mit den vormaligen Herrschern der Toskana, den Medici, zu stellen gedachte.
