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  1. SR 25177 The Dixie Sound Of Jack Teagarden. SR 25243 A Portrait Of Mr. T. SR 25261 The World Of Jack Teagarden. Original sessions produced by Teddy Reig. Produced for release by Michael Cuscuna. Tape transfers, remix (sessions A & C) and mastering by Malcolm Addey at the Malcom Addey Studio, New York City. All selections are stereo.

  2. 1934 machte Teagarden erstmals reine Gesangsaufnahmen; er bearbeitete Material aus der Jazztradition in einer Reihe wirkungsvoll kombinierter spezieller Vokal- und Posaunenarrangements, so in seinen Bearbeitungen von Spencer Williams’ „Basin Street Blues“ und W. C. Handys „Beale Street Blues“. Der Autor Will Friedwald urteilte über ihn: „Jack Teagarden hatte einen recht begrenzten ...

  3. 21. Jan. 2011 · In this clip the "Jack Armstrong Blues" Jack starts the blues with his famous empty water glass effect. Teagarden could actually play in a way that appealed to him. It relied heavily on...

    • 4 Min.
    • 4,6K
    • erwigfilms
  4. Jack Teagarden was a monster of the jazz world in every way, he was known as Big T, but he was a monster of the jazz trombone and a superb jazz vocalist. There are 46 tracks here and on each one he demonstrates his absolute mastery of the trombone. What’s more, he inspires musicians I have never heard of before to turn in world class ...

  5. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist.

  6. Columbia. Songwriter (s) J. C. Johnson. "Empty Bed Blues" is a 1928 "dirty blues" song written by J. C. Johnson and first recorded by Bessie Smith. Bessie Smith recorded the song in New York on March 20, 1928. The accompanying musicians were Porter Grainger (piano) and Charlie Green (trombone). The recording was issued by Columbia Records. [1]

  7. 3. Nov. 2020 · But, of course, Jack Teagarden was only 57 in January 1962 and these songs were still part of his life. There’s a kind of rustic simplicity to Don’t Smoke In Bed, Tain’t So, Round My Old Deserted Farm and the rest, especially the title song. Beside them even Hoagy Carmichael might seem a bit florid, and the strings provide a fittingly demure accompaniment. The one purely instrumental ...