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  1. Federico Fellini (* 20. Januar 1920 in Rimini; † 31. Oktober 1993 in Rom) war ein italienischer Filmregisseur und Drehbuchautor. Er gilt als einer der wichtigsten Autorenfilmer des 20. Jahrhunderts. Er wurde zunächst als Filmemacher im italienischen Neorealismus bekannt, entwickelte aber ab den 1950er-Jahren einen sehr persönlichen Stil.

  2. Federico Fellini Cavaliere di Gran Croce OMRI (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness.

    • Filmmaker
    • 31 October 1993 (aged 73), Rome, Italy
    • 1945–1992
  3. IMDb provides an extensive overview of the life and work of Federico Fellini, one of the most influential and acclaimed filmmakers of all time. Learn about his early years, his collaborations with Rossellini and Masina, his masterpieces like 8½ and La Dolce Vita, and his legacy and impact on cinema.

    • January 1, 1
    • Rimini, Emilia-Romagna, Italy
    • January 1, 1
    • Rome, Lazio, Italy
  4. Vor 5 Tagen · Federico Fellini, Italian film director who was one of the most celebrated and singular filmmakers of the period after World War II. His distinctive methods superimposed dreamlike or hallucinatory imagery upon ordinary situations in such movies as La strada, La dolce vita, and Juliet of the Spirits.

    • The Editors of Encyclopaedia Britannica
  5. Federico Fellini ( Rimini, 20 gennaio 1920 – Roma, 31 ottobre 1993) è stato un regista, sceneggiatore, fumettista e scrittore italiano . Considerato uno dei maggiori registi della storia del cinema, è stato attivo per quarant'anni, dal 1950 al 1990, realizzando diciannove film in cui ha "ritratto" una piccola folla di personaggi memorabili.

  6. 20. Jan. 2020 · Federico Fellini war einer der radikalsten und beständigsten Regisseure, die den Film zur Moderne hin öffneten: Die freie Erzählweise, die Selbstreflexion des Mediums, die Öffnung zu...

  7. 12. Nov. 2018 · Fellini has always been Italian cinema’s most introspective, most artful, and, yes, deepest film-maker. Kael was by no means the first heavyweight critic to be put off by Fellinis films,...