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  1. 4. Dez. 2023 · Sadly, William Van Dyke of Park Forest, Illinois passed away. Family and friends are welcome to leave their condolences on this memorial page and share them with the family. He was predeceased by : his parents, Jane Dyke and George Van Dyke; his sister Barbara Dicks; and his parents-in-law, Kathleen and Francis Maenza.

  2. Van Dyke Parks (fødd 3. januar 1941) er ein USA-amerikansk musikar, låtskrivar, arrangør og plateprodusent som har komponert musikk for film og fjernsyn. Han er kjend for albumet sitt Song Cycle frå 1967 og for å ha skrive tekstar til det uferdige Beach Boys -albumet Smile .

  3. 23. Aug. 2017 · Van Dyke Parks: October 19, 2004: Warren Zevon: Number Nine: Van Dyke Parks: January 1966, Neues Symphonie-Orchester: Occapella: Van Dyke Parks: 1972: Lee Dorsey: Orange Crate Art: Van Dyke Parks: February 10, 1998: Brian Wilson and Van Dyke Parks: Riverboat: Van Dyke Parks: 1972: Lee Dorsey: Rock-a-bye My Baby: Hirth Martinez with Van Dyke ...

  4. Released: 2011. Label: Bananastan. Contains rarities and collaborative work ranging from the mid 1960s to the early 1970s. 2013. Super Chief: Music For The Silver Screen. Released: 2013. Label: Bella Union. Various film scores made by Parks compiled under the theme of his 1955 ride on the Super Chief.

  5. It’s the California of a pristine Anaheim of rolling orange groves surrounded by snow covered mountains—the California Van Dyke Parks touched on briefly on his 1968 classic Song Cycle (Warner Brothers WS 1727) in songs like “Palm Desert” and “Vine Street” (written by Randy Newman), a California Parks never knew either (he grew up elsewhere). It may never have really existed except ...

  6. ヴァン・ダイク・パークス(Van Dyke Parks、1943年 1月3日 - )は、アメリカの作曲家、編曲家、音楽プロデューサーである。 ワーナー・ブラザース・レコード の社員として働く傍ら楽曲を作成し続け、アルバムの売れ行きこそ芳しくないが、その高い音楽性から「奇才」などと評価される。

  7. 25. Apr. 2017 · Van Dyke Parks occupies a very distinct corner of the 20th century. His is a world of imagination, wonder, and the sublime. His stylistic interests pair a considerable appreciation for the music of the past with an almost complete disregard for current trends and marketing sensationalism. Not one for the spotlight, nor particularly driven as