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Henderson warb 1924 den aufstrebenden Trompeter Louis Armstrong von der King Oliver’s Creole Jazz Band ab und kam dank Armstrong auf neue Ideen zur Instrumentation und zum Arrangement. Erfolgsnummern Mitte der 20er waren „Sugar Foot Stomp“ ( King Olivers „Dippermouth Blues“ in neuer Fassung), „Carolina Stomp“ und „Dinah“.
After hearing cornetist Louis Armstrong (then around 20 years old) in New Orleans while on tour in April 1922, Henderson sent him an offer, but Armstrong refused because Henderson would not hire Zutty Singleton as well.
The band became more jazz-oriented in 1924 when Henderson hired the young trumpeter Louis Armstrong. At about the same time, the band’s musical director and alto saxophonist, Don Redman, conceived the arrangements and instrumentation that would become the standard for big bands .
- The Editors of Encyclopaedia Britannica
19. Dez. 2007 · 53-Minute Listen. Enlarge this image. In 1924, Fletcher Henderson hired a young trumpeter who reinvented his band's rhythmic concept. His name was Louis Armstrong. Metronome/Getty Images....
Fletcher Henderson and Louis Armstrong 1924–1925. Timeless, 1991. CD Release 2008. Essence of Swing: Glen Gray & the Casa Loma Orchestra. Drive Archive, 1997. CD Release 2007.
Eine unvollständige Liste der Solisten, die bei Henderson spielten, liest sich wie ein Who’s Who des schwarzen Swing: Unter seinen Trompetern und Kornettisten waren Louis Armstrong, Joe Smith, Tommy Ladnier, Rex Stewart, Henry Red Allen und Roy Eldridge. Die wichtigsten der Ära waren also mit dabei.
30. Apr. 2020 · Louis Armstrong (standing center) with Fletcher Henderson Orchestra. The three-CD set Louis With Fletcher Henderson compiled by the Forte Record Productions in France back in 1992 has the complete story with all of the 65 performances (including the alternate takes plus five numbers with a small group backing the vaudeville team of ...
