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Henderson warb 1924 den aufstrebenden Trompeter Louis Armstrong von der King Oliver’s Creole Jazz Band ab und kam dank Armstrong auf neue Ideen zur Instrumentation und zum Arrangement. Erfolgsnummern Mitte der 20er waren „Sugar Foot Stomp“ ( King Olivers „Dippermouth Blues“ in neuer Fassung), „Carolina Stomp“ und „Dinah“.
After hearing cornetist Louis Armstrong (then around 20 years old) in New Orleans while on tour in April 1922, Henderson sent him an offer, but Armstrong refused because Henderson would not hire Zutty Singleton as well.
29. Jan. 2005 · January 29th, 2005. Great Encounters. Book excerpts that chronicle famous encounters among twentieth-century cultural icons. * Why did Louis Armstrong leave Fletcher Henderson’s orchestra in 1925 and return to Chicago?
19. Dez. 2007 · 53-Minute Listen. Enlarge this image. In 1924, Fletcher Henderson hired a young trumpeter who reinvented his band's rhythmic concept. His name was Louis Armstrong. Metronome/Getty Images....
22. Apr. 2021 · A. A. Artist: Louis Armstrong & Fletcher Henderson. Title: The Complete Recordings: 1924-1925. Year Of Release: 1992. Label: Forte Records [ F 38001/2/3] Genre: Jazz. Quality: FLAC (tracks + .cue,log,scans) Total Time: 03:21:18.
Eine unvollständige Liste der Solisten, die bei Henderson spielten, liest sich wie ein Who’s Who des schwarzen Swing: Unter seinen Trompetern und Kornettisten waren Louis Armstrong, Joe Smith, Tommy Ladnier, Rex Stewart, Henry Red Allen und Roy Eldridge. Die wichtigsten der Ära waren also mit dabei.
12. März 2024 · The band became more jazz-oriented in 1924 when Henderson hired the young trumpeter Louis Armstrong. At about the same time, the band’s musical director and alto saxophonist, Don Redman, conceived the arrangements and instrumentation that would become the standard for big bands .
