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15. Juli 2016 · But it was the second side, an 18-minute medley of music by renegade composer/pianist Thelonious Monk, that was the knockout punch on a record that, from start to finish, demonstrated greater breadth—texturally, harmonically and conceptually—than any of Khan's previous recordings...and despite his more reductionist approach. More in service of the song than ever before, Khan also ...
8. Apr. 2024 · A harmonically savvy soloist, he is known for distinctive improvised lines connoting Wes-informed exuberance and telling aspects of bebop/post-bop jazz in functional chromaticism, mutated pentatonic sounds, polytonality, substitutions, superimpositions and side-slipping.
Steve Khan (* 28. April 1947 in Los Angeles als Steven Harris Cahn) ist ein amerikanischer Fusiongitarrist. Von der japanischen Fachzeitschrift Jazz Life wurde Khan zu einem der 22 wichtigsten Jazzgitarristen aller Zeiten erklärt. [1] Inhaltsverzeichnis. 1 Leben und Wirken. 2 Diskografische Hinweise. 3 Lexigraphische Einträge. 4 Weblinks.
23. Apr. 2008 · Steve Khan: Yes, I started to play the guitar at 19, after having been a pretty awful rock drummer. When I began to play, my guitar influences were pretty diverse: On the jazz side, they included Wes Montgomery, Kenny Burrell, Grant Green, and Jim Hall. But, I also was crazy about the playing of Albert King, Steve Cropper, Jimmy Nolen, and ...
Steve Khan's lead sheet: ... Buzzy's soloing on the tune "Flip Flop" is 'classic Buzzy' to these ears. Unfortunately, a lot of what he played in the Fade was not used. On a side note, when my then young son, Heath, met Buzzy, he couldn't really say his na ...
31. Mai 2019 · 328. 13K views 4 years ago. NYU Steinhardt Jazz Interview Series with Dr. David Schroeder interviews legendary guitarist, composer and bandleader Steve Khan, discussing his life in music...
24. Feb. 2020 · “I’m a complete Clare Fischer devotee, and it turns out Jorge is as well,” Khan explained. “So when he sent me his demo for this tune, I just flipped and thought, ‘This guy completely gets it.’ And Clare loved both Latin music and Brazilian music, so I think it’s in keeping with this little mini-homage by touching on ...
