Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. For the Love of Movies: The Story of American Film Criticism is a 2009 documentary film dramatizing a hundred years of American film criticism through film clips, historic photographs, and on-camera interviews with many of today’s important reviewers, mostly print but also Internet.

  2. 31. Aug. 2007 · For the Love of Movies: The Story of American Film Criticism: Directed by Gerald Peary. With Patricia Clarkson, Harry Jay Knowles, Elvis Mitchell, Roger Ebert. The history of American film criticism.

    • (584)
    • Documentary, History
    • Gerald Peary
    • 2007-08-31
  3. For the Love of Movies: The Story of American Film Criticism Gerald Peary, director; Jonathan Rosenbaum, Chicago Reader; David Sterritt, Christian Science Monitor. With newspapers and periodicals downsizing and devoting less space than ever to film criticism, what is happening to professional critics?

  4. From the raw beginnings of criticism before D.W. Griffith's 'The Birth of a Nation' to the incendiary Pauline Kael-Andrew Sarris debates of the 1960s and 70s, to the battle today between youthful on-liners and the print establishment, this documentary tells all through the insights and expertise of a diverse group of passionate film critics ...

  5. About the rich history of American film criticism, while providing an insider's view of the critics' profession. For the Love of Movies: The Story of American Film Criticism (2009) - Turner Classic Movies

    • Gerald Peary
    • Scott Weinberg
  6. The film critic who recorded his industry's swan song Geoffrey Macnab: An unlikely hit at the Edinburgh film festival could be this paean to US film criticism â just as the profession...

  7. 11. Mai 2010 · For the Love of Movies: The Story of American Film Criticism. (2009) 80 min. DVD or VHS: $295. AG Films (dist. by Bullfrog Films). PPR. Closed captioned. ISBN: 1-59458-914-3 (dvd). Volume 25, Issue 3. by Kathy Fennessy. May 11, 2010. 12:00 AM. For the Love of Movies: The Story of American Film Criticism. Rating: 3 of 5.