1961
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Stanislas Pascal Franchot Tone war ein US-amerikanischer Film-, Theater- und Fernsehschauspieler, der insbesondere in den 1930er- und 1940er-Jahren größere Bekanntheit erlangte. Für seinen Auftritt in Meuterei auf der Bounty erhielt er eine Oscar-Nominierung als Bester Darsteller.
Stanislaus Pascal Franchot Tone (February 27, 1905 – September 18, 1968) was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s.
Franchot Tone. Actor: Dangerous. President of the Dramatic Club at Cornell University, Franchot Tone gave up the family business for acting, making his Broadway debut in "The Age of Innocence". Tone then went into movies for MGM, making his film debut (at Paramount Pictures) in The Wiser Sex (1932). With his theatrical background, Tone became ...
Franchot Tone. Actor: Dangerous. President of the Dramatic Club at Cornell University, Franchot Tone gave up the family business for acting, making his Broadway debut in "The Age of Innocence". Tone then went into movies for MGM, making his film debut (at Paramount Pictures) in The Wiser Sex (1932).
Singer/Songwriter Franchot Tone caught the attention of critics and hipsters alike as a founding member of Culver City Dub Collective. Now on his debut solo offering, his familiar Southern Californian sound bridges the gap between The Beach Boys, Sublime and Jason Mraz.
Stanislas Pascal Franchot Tone war ein US-amerikanischer Film-, Theater- und Fernsehschauspieler, der insbesondere in den 1930er- und 1940er-Jahren größere Bekanntheit erlangte. Für seinen Auftritt in Meuterei auf der Bounty erhielt er eine Oscar-Nominierung als Bester Darsteller.
Born the son of a wealthy industrialist in Niagara, New York, and educated at Cornell, Franchot Tone had a distinguished stage career, working with the Group Theater among others. His film career, however, although long and prolific (1933 to 1965), consigned him to roles as wealthy café-society sophisticates, weak cads, or the losing end of ...
