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  1. Stanislas Pascal Franchot Tone war ein US-amerikanischer Film-, Theater- und Fernsehschauspieler, der insbesondere in den 1930er- und 1940er-Jahren größere Bekanntheit erlangte. Für seinen Auftritt in Meuterei auf der Bounty erhielt er eine Oscar-Nominierung als Bester Darsteller.

  2. Stanislaus Pascal Franchot Tone (February 27, 1905 – September 18, 1968) was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s.

  3. www.imdb.com › name › nm0867144Franchot Tone - IMDb

    Franchot Tone was a versatile actor, producer and director who starred in classics like Dangerous, Mutiny on the Bounty and Advise & Consent. He was married to Joan Crawford and had a turbulent relationship with Barbara Payton.

    • January 1, 1
    • Niagara Falls, New York, USA
    • January 1, 1
    • New York City, New York, USA
  4. Franchot Tone was a versatile actor who started in theater and moved to Hollywood, where he worked with MGM and Warner Bros. He was married to Joan Crawford and Bette Davis, and starred in Mutiny on the Bounty (1935) and The Fifth Column (1940).

    • February 27, 1905
    • September 18, 1968
  5. Stanislas Pascal Franchot Tone war ein US-amerikanischer Film-, Theater- und Fernsehschauspieler, der insbesondere in den 1930er- und 1940er-Jahren größere Bekanntheit erlangte. Für seinen Auftritt in Meuterei auf der Bounty erhielt er eine Oscar-Nominierung als Bester Darsteller.

  6. Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s.

  7. Born the son of a wealthy industrialist in Niagara, New York, and educated at Cornell, Franchot Tone had a distinguished stage career, working with the Group Theater among others. His film career, however, although long and prolific (1933 to 1965), consigned him to roles as wealthy café-society sophisticates, weak cads, or the losing end of ...