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  1. FrederickFredSteiner (* 24. Februar 1923 in New York City, New York; † 23. Juni 2011 in Ajijic, Jalisco, Mexiko [1]) war ein US-amerikanischer Filmkomponist und Arrangeur . Inhaltsverzeichnis. 1 Leben und Wirken. 2 Filmografie (Auswahl) 3 Nominierung (Auswahl) 4 Weblinks. 5 Einzelnachweise. Leben und Wirken.

  2. en.wikipedia.org › wiki › Fred_SteinerFred Steiner - Wikipedia

    Frederick Steiner (February 24, 1923 – June 23, 2011) was an American composer, conductor, orchestrator, film historian and arranger for television, radio and film. Steiner wrote the theme music for The Rocky and Bullwinkle Show and Perry Mason.

  3. www.imdb.com › name › nm0006301Fred Steiner - IMDb

    Fred Steiner. Music Department: The Color Purple. Of Hungarian ancestry, the son of film composer George Steiner followed in his father's footsteps. A child prodigy, he played the piano by the age of six and cello at thirteen. Growing up in Manhattan, Fred immersed himself in his father's vast collection of records, which included a great deal ...

    • Music Department, Composer, Sound Department
    • February 24, 1923
    • Fred Steiner
    • June 23, 2011
  4. Fred Steiner. Jump to Edit. Overview. Born. February 24, 1923 · New York City, New York, USA. Died. June 23, 2011 · Ajijic, Jalisco, Mexico (natural causes) Birth name. Frederick Nicholas Steiner. Mini Bio. Of Hungarian ancestry, the son of film composer George Steiner followed in his father's footsteps.

    • February 24, 1923
    • June 23, 2011
  5. 27. Juni 2011 · LOS ANGELES (AP) — Fred Steiner, a television and film composer who wrote the theme for the series “Perry Mason” and was a composer of the Oscar-nominated score for “The Color Purple,” died on...

  6. 6. Feb. 2012 · See the full interview at www.emmytvlegends.org/interviews/people/fred-steiner

    • 3 Min.
    • 56,1K
    • FoundationINTERVIEWS
  7. About this interview. In his four-hour interview, Fred Steiner (1923-2011) talks about breaking into the business as an arranger/orchestrator in network radio in the 1940s and details some of the first radio scores he wrote for legendary producer-director Norman Corwin.