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The two periods (194142 and 1945) with Gene Krupa’s big band represent not merely the beginning, but one of the high points in one of the greatest careers in music. O’Day joined the Krupa krew in March 1941 and almost immediately revolutionized the craft of band singing. In the years before O’Day, “canaries,” as they were called, had ...
Gene Krupa Days by Anita O'Day released in 2001. Find album reviews, track lists, credits, awards and more at AllMusic.
Dort lernte sie unter anderem den Bandleader und Schlagzeuger Gene Krupa kennen, der ihr ein Engagement in seiner Band versprach, sobald der Vertrag mit seiner damaligen Band-Sängerin, Irene Daye, ausgelaufen sei.
Boogie Blues (Krupa-Biondi) by Gene Krupa & his Orchestra, vocal by Anita O’Day This swingin’ Krupa shuffle, the best-known of his post-war tracks, was a sum...
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17. Juni 2016 · Gene Krupa and His Orchestra) BD Music. 11.4K subscribers. Subscribed. 21. 1.7K views 7 years ago. The Anita O’Day story drawn by Kerascoët The full Anita O’Day playlist here:...
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While performing at the Off Beat, she met Gene Krupa, who promised to call her if Irene Daye, then his vocalist, ever left his band. [1] . In 1939, O'Day was hired as vocalist for Miller's Quartet, which had a stay at the Three Deuces club in Chicago. [6] Work with Krupa, Herman, and Kenton. The call from Krupa came in early 1941. [1] .
In 1941 she joined Gene Krupa’s big band, recording a memorable duet with Roy Eldridge on “Let Me Off Uptown,” one of the first interracial vocal duets on record. She also may have been the first feminist big band singer, refusing to appear in the standard gown and gloves, instead opting for a band jacket and short skirt. She stayed with ...
