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  1. 30. Apr. 2024 · George Balanchine was the most influential choreographer of classical ballet in the United States in the 20th century. His works, characterized by a cool neoclassicism, include The Nutcracker (1954) and Don Quixote (1965), both pieces choreographed for the New York City Ballet, of which he was a

    • Kathrine Sorley Walker
  2. Vor 4 Tagen · Podcasts. Au Cœur du ballet. George Balanchine (1/2), grand maître du ballet néoclassique. Lumière sur George Balanchine (1904-1983). Retour en deux épisodes sur le chorégraphe d’origine géorgienne, qui a participé aux plus grandes créations chorégraphiques du XXe siècle, des Ballets Russes, au New York City Ballet, avec Jerome ...

  3. Vor einem Tag · Balanchine created Prodigal Son in 1929 for Sergei Diaghilev’s Ballet Russe, and the cast, with just one woman in a prominent role, made it an oddity for a story ballet even then. But it has survived due to the powerful emotions of the story and its innovative stark movement, heightened by George Rouault’s design, backdrops of a domed city by the sea and a tent with the flaps held wide ...

  4. 3. Mai 2024 · Somehow New York City Ballet always manages to ride two horses at the same time. It honours the work of its founder-choreographer George Balanchine, staging innumerable ballets by him each year...

  5. Vor 3 Tagen · The company has performed George Balanchine’s A Midsummer Night’s Dream in the past, but artistic director Angel Corella preferred Frederick Ashton’s take on Shakespeare’s tale. The Dream, a one-act version, is set to the classic score by Mendelssohn, and is a beautiful ballet in a forest setting, lit just enough to see details.

  6. 25. Apr. 2024 · Created for the company’s 1975 Ravel Festival, it was the first ballet George Balanchine choreographed for Farrell upon her return to City Ballet after a rift with Balanchine and time spent...

  7. Vor 3 Tagen · What Balanchine did in creating Jewels in 1967 is to give us ballet for ballet’s sake. It’s autotelic – complete in itself. If you strip away the narratives, the rustic peasants and the lovelorn aristocrats, the swans and the preternatural forces of evil, and just present the forms, the geometry, the thing itself, Jewels is what you get.