Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Vor 3 Tagen · Director George Cukor, with whom Selznick had a long working relationship and who had spent almost two years in pre-production on Gone with the Wind, was replaced after less than three weeks of shooting.

  2. Vor 2 Tagen · During reorganization on the production, George Cukor temporarily took over under LeRoy's guidance. Initially, the studio had made Garland wear a blonde wig and heavy "baby-doll" makeup, and she played Dorothy in an exaggerated fashion. Cukor changed Garland's and Hamilton's makeup and costumes, and told Garland to "be herself". This meant that ...

  3. Vor einem Tag · GENRE: Melodram: REGIE: George Cukor: CAST: Elizabeth Allan,Greta Garbo,Henry Daniell,Lionel Barrymore,Robert Taylor: LAND: USA: LAUFZEIT: 100

  4. Vor einem Tag · It’s been adapted for the big screen six times, including a silent British-made version from 1917 that’s now lost, a silent American movie in 1918, one in 1933 directed by Oscar-winner George Cukor and starring Katharine Hepburn as Jo, a 1949 take with Elizabeth Taylor (in a curly blonde wig) as Amy, and a 1994 adaptation with Winona Ryder, Kirsten Dunst, and Claire Danes (as Jo, Amy, and ...

  5. Vor 5 Tagen · After Thorpe was fired, George Cukor was brought in as the film's temporary director. He never intended to stay throughout the whole movie because he hoped to land a gig as the director of Gone ...

  6. Vor 3 Tagen · When MGM announced the production of Bhowani Junction and George Cukor travelled to India in October 1954, there was a lot of opposition in the press and public to filming the novel that many in India considered to be colonial and racist. The fictional location Bhowani Junction was in India, most probably Bhusaval. MGM wanted to shoot the film in location in India The government of India ...

  7. Vor 3 Tagen · The film’s familiar rise-and-fall rhythms struck a chord with filmmaker Alexis Langlois, who cites Vincente Minnelli and George Cukor as inspiration. “I wanted to offer a great, romantic story,” says Langlois. “Really, to give all these queer characters – and the queer actors who play them — a sense of grand romance by mixing the codes and memories of classic cinema with something ...