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George Earl Ortman (October 17, 1926 – December 16, 2015) was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived ...
- October 17, 1926, U.S.
- Painter, printmaker, conscructionist, sculptor
- December 16, 2015 (aged 89), U.S.
George Earl Ortman (October 17, 1926 – December 16, 2015) was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from ...
19. Dez. 2015 · Dec. 18, 2015. George Ortman, whose constructed, collaged canvases of the late 1950s and early ’60s, with their geometric shapes and signs, pointed a way past Abstract Expressionism and toward...
George Earl Ortman (American, 1926–2015) was an important painter and sculptor, whose work preceded and influenced the Minimalist movement. View George Earl Ortman’s 46 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
- American
George Earl Ortman (October 17, 1926 – December 16, 2015) was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art,minimalism and hard-edge painting.
George Earl Ortman (October 17, 1926 – December 16, 2015) was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from ...
George (Earl) Ortman. George Ortman in his Princeton studio, c1967. In his influential 1965 article ‘Specific objects’, Donald Judd sought to identify the new territory that had been opened up by the abandonment of traditional modes of painting and sculpture. In doing so he referred to George Ortman’s relief constructions as ...
