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Story of the Eye (French: L'histoire de l'œil) is a 1928 novella written by Georges Bataille as Lord Auch that details the increasingly bizarre sexual perversions of a pair of teenage lovers, including an early depiction of omorashi fetishism in Western literature. It is narrated by the young man looking back on his exploits. In ...
- Georges Bataille
- L'histoire de l'œil
- 1928
- 127 (Penguin Books edition)
Georges Bataille's Story of the Eye is a 2004 experimental film adaptation of the 1928 novel Story of the Eye by the French writer Georges Bataille. The film, directed by Andrew Repasky McElhinney, takes place in a seemingly abandoned house where a group of people engage in wordless acts of passion. The film covers a period from ...
26. Mai 2015 · Story of the eye. by. Bataille, Georges, 1897-1962. Publication date. 1987. Topics. Erotic stories, French. Publisher. San Francisco : City Lights Books.
24. Juni 2019 · Georges Bataille – Story of the Eye (Modern Classics) 24. Juni 2019 Michael Matzer. Simones obszöne Akte. Georges Bataille veröffentlichte seinen Roman „Histoire de l’Oeil“ unter dem Pseudonym „Lord Auch“ 1928. Es erlebte drei weitere Auflagen bis 1967, doch diese Ausgaben weichen von der Urform erheblich ab. Die ...
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Story of the Eye was George Bataille's first novel, and there were four editions, the first in 1928. The other three, known as the "new version," came out in 1940, 1941, and 1967. The "new ver sion" differs so thoroughly in all details from the first edition that one can justifiably speak of two distinct books. Indeed, the Gallimard publication
Andrew Repasky McElhinney’s new feature Georges Bataille’s Story of the Eye is a new landmark in underground cinema. The film is an artistic assault on both the senses and sensibility. Mixing equal parts of surrealism, eroticism and silliness into a vibrant package rich with lush cinematography and a challenging soundtrack, [ Georges ...
Film. GEORGES BATAILLE’S STORY OF THE EYE AND MA MèRE. By Steven Shaviro. TRANSGRESSION, no less than its sister, transcendence, was a great goal of twentieth-century art. “The human being arrives at the threshold,” Georges Bataille wrote in 1938. “There he must throw himself headlong into that which has no foundation and no head.”
