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Giancarlo De Carlo (* 12. Dezember 1919 in Genua; † 4. Juni 2005 in Mailand) war ein italienischer Architekt und Universitätsprofessor. Er war einer der wichtigsten Vertreter der Nachkriegsarchitektur in Italien . Inhaltsverzeichnis. 1 Werdegang. 2 Bauten. 3 Ehrungen und Preise. 4 Ehemalige Mitarbeiter. 5 Literatur. 6 Weblinks. Werdegang.
Giancarlo De Carlo (12 December 1919 − 4 June 2005) was an Italian architect and anarchist. [1] During World War II, he served as a naval officer and participated in the Italian Resistance. Throughout his architecture career he advocated for the consideration of human, physical, cultural, and historical forces in design. [citation needed] Biography
Learn about the life and works of Giancarlo De Carlo, a prominent member of Team 10 and a proponent of participatory design. Explore his projects in Urbino, Venice, and other cities, as well as his journals and books.
Giancarlo de Carlo (1919-2005) was an Italian architect, planner, writer and educator who was one of the fiercest critics of what he saw as the failure of architecture in the C20. He was one of the founding members of Team X, a group of architects challenging the modernist doctrines as set out by CIAM and was a key figure in the discourse on ...
Giancarlo De Carlo è stato un architetto, urbanista e teorico dell'architettura italiano. È stato tra i primi a sperimentare e applicare in architettura la partecipazione da parte degli utenti alle fasi di progettazione. È conosciuto internazionalmente per essere stato uno dei membri più attivi del movimento Team X che operò la ...
30. Jan. 2014 · While recently it seems that Giancarlo De Carlo’s contribution to architecture has been distilled into a single idea − participation − his reputation derives as much from his approach to practice as from his commitment to teaching, his optimistic, yet blunt critical writing (directed equally at friend and foe alike), and the ...
Giancarlo De Carlo. Geschichte und Gemeinschaft. Giancarlo De Carlo gehört zu den einflussreichsten Architekten Italiens im vergangenen Jahrhundert. Dass sein Werk für viele Jüngere aber erst zu entdecken ist, erstaunt nicht. Denn es liegt sozusagen im toten Winkel der Deutschschweizer Tendenzen.
