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The Golden Heart trilogy (Danish: Guldhjerte-trilogien) is three films by the Danish screenwriter and director Lars von Trier. It consists of Breaking the Waves (1996), a melodrama about sex and religion; The Idiots (1998), a Dogme 95 film dealing with moral conventions; and Dancer in the Dark (2000), a musical starring the Icelandic ...
1 Leben. 2 Der Filmemacher. 2.1 Filme der E-Trilogie. 2.2 TV-Produktion Medea. 2.3 Dimension 1991–2024. 2.4 TV-Serie Riget. 2.5 Golden-Heart-Trilogie. 2.6 USA-Trilogie. 2.7 Antichrist. 2.8 Melancholia. 2.9 Nymphomaniac. 2.10 The House That Jack Built. 3 Andere Projekte. 3.1 Die Weltuhr in Kopenhagen (Psykomobile # 1 Verdensuret)
Lars von Trier drehte Dancer in the Dark als dritten Film einer Golden Heart Trilogy. Die ersten beiden Filme dieser Trilogie waren Breaking the Waves und Idioten. In allen Filmen, so von Trier in einem Interview, stehe eine „tragische Frauengestalt im Mittelpunkt, die sich für andere aufopfert und deren Liebe nicht davon abhängt ...
1 ^ These are the original titles that the films and miniseries were given. 2 ^ The Elements of Crime, Epidemic and Europa are, respectively, the first, second and third part of the film trilogy Europa. 3 ^ Breaking the Waves, The Idiots and Dancer in the Dark are, respectively, the first, second and third part of the film trilogy Golden Heart.
3 titles. 1. Breaking the Waves (1996) R | 159 min | Drama. 7.8. Rate. 82 Metascore. Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another. Director: Lars von Trier | Stars: Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr.
Von Trier achieved international success with his Golden Heart trilogy. Each film in the trilogy is about naive heroines who maintain their "golden hearts" despite the tragedies they experience. This trilogy consists of Breaking the Waves (1996), The Idiots (1998), and Dancer in the Dark (2000).
Mit „Dancer in the Dark“, dem dritten Film der Golden-Heart-Trilogie, führte Lars von Trier fort, was er mit „Breaking the Waves“ begonnen hatte: sich das Genre des Melodrams anzueignen ...
