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Erik Gunnar Asplund (* 22. September 1885 in Stockholm; † 20. Oktober 1940 ebenda) [1] war einer der bedeutendsten schwedischen Architekten, Hochschullehrer, Designer, und Pioniere der skandinavischen Moderne. Gunnar Asplund. Inhaltsverzeichnis. 1 Werdegang. 2 Bauten. 3 Schüler. 4 Literatur und Quellen. 5 Weblinks. 6 Einzelnachweise.
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect, mostly known as a key representative of Nordic Classicism of the 1920s, and during the last decade of his life as a major proponent of the modernist style which made its breakthrough in Sweden at the Stockholm International Exhibition (1930).
- Swedish
- 22 September 1885, Stockholm, Sweden
- Architect
Erik Gunnar Asplund, född 22 september 1885 i Hedvig Eleonora församling i Stockholm, [1] död 20 oktober 1940 i Engelbrekts församling, [2] var en svensk arkitekt och professor i arkitektur vid KTH.
- Svensk
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect, mostly known as a key representative of Nordic Classicism of the 1920s, and during the last decade of his life as a major proponent of the modernist style which made its breakthrough in Sweden at the Stockholm International Exhibition (1930). Asplund was ...
22. Sept. 2017 · Asplund is considered one of the most influential modernist architects of Sweden and was a proponent of the modernist style first seen at the Stockholm International Exhibition of 1930. He...
Erik Gunnar Asplund : Born : September 22, 1885 : Died : October 20, 1940 : Nationality : Sweden : School : Official website : BIOGRAPHY : Erik Gunnar Asplund was among the most important Scandinavian architects of the first half of the 20th century. His early work evolved from National Romanticism through the sparse Nordic classicism of the ...
Gunnar Asplund was a Swedish architect whose work shows the historically important transition from Neoclassical to modern design. Asplund was educated at the Academy of Fine Arts in Stockholm. His exposure to classical architecture on a trip to Greece and Italy (1913–14) made a profound impression.
