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  1. Hand-painted 35mm film, color, silent, 75 min. Welcome to “Handmade Cinema”—a site that lets you explore the world of artisanal moving image production by providing information on the practices and themes of a sampling of the field’s major figures.

    • About

      Handmade cinema includes: painted, scratched, and treated...

    • Themes

      They demonstrate the myriad ways that handmade cinema acts...

  2. They demonstrate the myriad ways that handmade cinema acts as a counter-cinema: in concept, material, and execution. Filmmakers include: Androide Lightshow, Robert Banks, Colin Barton, Kelly Gallagher, Ja’Tovia Gary, Kerry Laitala, Greta Snider,

  3. Handmade cinema includes: painted, scratched, and treated film, hand-drawn soundtracks, and the artisanal construction of devices to make moving images (color organs, kinetic sculpture, light show apparatus, analog video synthesizers).

  4. Handmade Cinema: Regie: Guido Torlonia Mit Dante Ferretti, Francesca Lo Schiavo, Chiara Mastroianni, Maurizio Millenotti Handmade Cinema tells of the great family of Italian cinema who has saved the heritage of its manual skills and of an art which the entire world envies Cinecitta', thanks to the hands of special artisans whom have passed ...

  5. Handmade Cinema – Audiovisiva – Educational. Guido Torlonia Italy, 2012, 52’. Italy, 2012, 52' Languages: Italian Subtitles: English, French, Spanish CC: Italian. Countless professionals are needed to make a film possible. This documentary tells us all about the great artisans who make cinema magical.

  6. 9. Nov. 2020 · In Making Images Move: Handmade Cinema and the Other Arts, Gregory Zinman explores the history of camera-less filmmaking in an exciting intervention that ennobles an underdiscussed mode of film pro...

  7. HandMade Films. Cofounded by former Beatle George Harrison in 1978, the storied production studio and distribution company HandMade Films gave new life to British cinema in the 1980s, taking chances on risky projects and first-time directors to bring audiences future classics like THE LONG GOOD FRIDAY, WITHNAIL AND I, and Terry Gilliam’s TIME ...