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Simon co-produced Hearts and Bones with Russ Titelman, Roy Halee and Lenny Waronker. It was recorded in the digital realm incorporating the high fidelity of the now defunct sampler, The Synclavier . Consequently each track possesses a slick, almost sterile ambience; a far cry from Paul Simon’s 1980’s album One Trick Pony that featured a five -piece band performing all the tracks live and ...
Nile Rodgers – electric guitars (6, 9), LinnDrum programming (9) Bernard Edwards – bass guitar (6) Jeff Porcaro – drums (7) Jesse Levy – cello (7) Peter Gordon – French horn (7) Mark Rivera – alto saxophone (7) Wells Christie – Synclavier (8) The Harptones – backing vocals (8) Sid McGinnis – electric guitars (10)
- 1981–1983
- November 4, 1983
4. Nov. 2023 · Mechanical-sounding percussive samples punctuate “Think Too Much (A).” And on the hyper-syncopated, New Wave-tinged “Cars are Cars,” Rodgers bangs out the first programmed beats ever to adorn a Simon release. Paul Simon Hearts and Bones, Warner Bros. Records 1983
Hearts and Bones - Songs From A Century. Ausgewählte Songperlen der 60er, 70er und 80er in kleiner, aber feiner Besetzung - das ist das Motto von „Hearts and Bones“. Benannt haben sich die beiden Profimusikerinnen nach einem Album von Paul Simon und die Musik aus dieser Zeit interpretieren sie mit Herz und Seele - eben mit "Hearts and Bones"!
3. Okt. 2013 · Nile Rodgers on Working With Michael Jackson: ‘We’re Weird Guys!’. Resurgent guitarist-producer on Dylan, Madonna, Bee Gees. By David Browne. October 3, 2013. Nile Rodgers performs in London ...
Nile Rodgers and Paul Simon (of Simon & Garfunkel) engineer and mixer: Roy Halee acoustic bass guitar [contrabass guitar]: Anthony Jackson (US bassist) electric guitar: Nile Rodgers synthesizer: Rob Sabino horn arranger: David Matthews (US jazz/bop keyboardist, pianist, and arranger) mixed at: Regent Sound Studios in New York, New York, United ...
Hearts and Bones. By Don Shewey. November 24, 1983. Paul Simon ‘s new album is all about heart versus mind, thinking versus feeling, and how these dichotomies get in the way of making music or ...
