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18. Juni 2021 · An illustration of two cells of a film strip. Video. An illustration of an audio speaker. Audio . An illustration of a 3.5" floppy disk. ... I Bury The Living (1958) Video Item Preview play8?>> remove-circle Share or Embed This Item. Sha ...
I Bury the Living is a unique film in many ways as it rests its foundation in the supernatural world. Nothing like it had been done..and little since in the same vein. Richard Boone is pretty good in his role, but none of the other actors seem to come close to over-achieving. The sets are cheap as is the film's budget.
21. Apr. 2012 · Maxim Productions. Title: I Bury the Living. Summary: Cemetery director Robert Kraft discovers that by arbitrarily changing the status of plots from empty to occupied on the planogram causes the death of the plots' owners. Directed by: Albert Band. Actors: Richard Boone, Theodore Bikel, Peggy Maurer. Production Company: Maxim Productions.
Komplette Handlung und Informationen zu . I Bury the Living Robert Kraft (Richard Boone) ist der neue Friedhofswärter für die Nachtschicht auf dem Immortal Hills Friedhof.
That’s about it: even at 76 minutes I Bury the Living has problems maintaining its interest. Boone is fine, but others in the cast – especially Theodore Bikel – are a bit wobbly. And it looks very drab, a bit like a 1950s TV programme. And there is a dreadful ending where everything is explained…or explained away. (And there are some cheats: the shots that implied the dead were rising ...
I BURY THE LIVING. Directed by. Albert Band. United States, 1958. Horror, Film noir. 76. Synopsis. As the new head of a sprawling cemetery, Robert becomes convinced that he triggered the untimely deaths of several plot owners by tampering with a certain m ...
This low-budget horror flick — more akin to a Twilight Zone episode than a feature film — holds interest throughout its 75 minutes. Based on a remarkably simple premise, I Bury the Living remains unique because of its decision to show Boone as a tortured soul who no one will believe, rather than a gleeful madman who revels in his newfound power.
